A washed-up private security agent has to escort a valuable Chinese antique out of Shanghai but is ambushed en route.
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The final night’s work approaches for the staff of an insane asylum. A minimal crew of security and researchers remain to ensure the patients behave as expected before their transfers to a maximum security prison. Struggling with memories of abandonment, Dr. Helen Kingford finds herself on the brink of quitting her job as a psychologist. Following his forced retirement, the hospital’s head of security decides on a destabilizing course of action leading to chaos and destruction within the asylum. In the confusion, all of the dangerous patients escape their padded cells. Confused, Dr. Kingford awakens finding herself tied up in the hospital morgue. Not knowing who to trust, she finds herself running from everyone in an attempt to survive.
Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.
Chicano gangster Micky Solis finds that his family has been slaughtered by the Chinese mob. His whole life force turns to finding the killers. A slick lawyer (Angus MacFadyen) leads Micky to a “nun” (Paz De La Huerta) who shows him who the killers are that took his family from him. Micky unleashes a war of bullets and emotions on the family until each one dies by the same sword they wielded. The only thought on Micky’s mind is REVENGE: VENGANZA.
Gurus in the late Goryeo dynasty try to obtain a fabled, holy sword, and humans in 2022 hunt down an alien prisoner that is locked in a human’s body. The two parties cross paths when a time-traveling portal opens up.
Joe just told his boyfriend, George, that he is a serial killer. George thinks that his boyfriend, Joe, is hilarious… and he just saw Patricia Arquette at Target!!! In the horror/comedy hybrid, ‘You’re Killing Me’, we take a look at the life and death consequences of dating in the age of incessant chatter. Joe and George meet just as Joe is coming out to himself as someone who loves to kill. George, on the other hand, can’t decide which wig to wear for his next YouTube video. As George’s friends start disappearing, one by one, he must face the undeniable fact that Gretchen might not be coming back with crushed ice for his party #YouDontNeedIceForChardonnay.
A film crew led by stuntman Donnie come to witness a Gangland hit, and have to fight for their lives to survive the night.
“White Boy Rick”, as he was called, was a novelty: A white teenager seemingly running a major inner-city drug operation. In May of 1987, 17-year-old Richard Wershe Jr. was charged with a non-violent, juvenile drug offense. By the time of his arrest he was already a Detroit legend, frequently making front-page headlines and leading the local television news. In this film, gangsters, hit men, journalists and federal agents struggle to explain why he remains in prison at nearly 50 years old. The possible explanation is more stunning than the crimes Wershe was alleged to have committed.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster’s growing attraction – forbidden in his neighborhood – for a beautiful black girl.
Izo, a Ronin, and Raiden, an orc, work to bring a young elf girl and the wand she carries to the land of the elves in the north.
