A babysitter with a clever and violent ward. A patient who mistrusts the doctor’s orders. A young woman haunted by a malevolent presence. And the terror that ties them all together: Bugs.

Just out of jail and still searching for his late beloved Beniamina, crumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up. Arthur isn’t interested in the artefacts, though; he’s seeking a legendary door to the underworld, and to Beniamina.

An escaped convict and a woman ponder what to do with a not-quite-dead body.

“Wishful Drinking” is based on Fisher’s memoirs of the same title. The stage adaptation had its world premiere in 2006 at the Geffen Playhouse in L.A. It later played at Berkeley Repertory before opening on Broadway in October at Studio 54. The show takes audiences on a comic tour of Fisher’s messy personal life and career. The actress-writer recounts stories about her work on the “Star Wars” series as well as her relationship with her parents Eddie Fisher and Debbie Reynolds. She also discusses her much-publicized problems with alcohol and drugs.

A hunt for easy money turns into a deadly search for a missing loved one as outsiders confront the evil forces behind a native American myth.

As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show’s response from test audiences and brings the show a step closer to getting on the air.

Seven strangers wake up on the deserted streets of London with no knowledge of how they got there. Before long someone -or something – is picking them off, one by one….

FaZe Rug moves into a new home, unaware of the creepy clowns who live next door.

Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.

Spoof of 1960’s Beach Party/Gidget surfing movies mixed with slasher horror films. A not-so-innocent girl in 1960’s Malibu becomes the first girl surfer at Malibu Beach, only she suffers from dissociative identity disorder and occasionally her alter ego, a sexually aggressive, foul-speaking girl, comes out. During her “episodes” several beach goers are found murdered.

A gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.

Ella lives in a magical world in which each child, at the moment of their birth, is given a virtuous “gift” from a fairy godmother. Ella’s so-called gift, however, is obedience. This birthright proves itself to be quite the curse once Ella finds herself in the hands of several unscrupulous characters whom she quite literally cannot disobey. Determined to gain control of her life and decisions, Ella sets off on a journey to find her fairy godmother who she hopes will lift the curse. The path, however, isn’t easy — Ella must outwit a slew of unpleasant obstacles including ogres, giants, wicked stepsisters, elves and Prince Charmont’s evil uncle, who wants to take over the crown and rule the kingdom.