A searing portrait of four prisoners trying to escape the devastation of their past.

The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT’s return to 24 Hours of Le Mans after their 1966 1-2-3 victory.

A team of filmmakers take a tour of South America with mural artist and animator Blu, looking to see how his art and mind will be influenced through total immersion in foreign cultures. The team traveled through Mexico, Guatemala, Nicaragua Costa Rica and Argentina, and named the film after those countries. In the director’s words, “What came out was an unscripted film about improvisation, inspiration (and perspiration), innovation, self-exploration and all the other good things in life that end with -ion.”

A perpetual state of welfare exists in the U.S., creating a form of modern slavery for a large percentage of African-Americans. Rev. C.L. Bryant presents an insightful and compelling look at how freedom can be restored.

A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick’s classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.

In the 1980s, Andrew McCarthy was part of a young generation of actors who were set to take over Hollywood after a string of successful teen movies. However, when the New York magazine cover story in 1985 dubs them the Brat Pack, stars in the making suddenly find themselves losing control over the trajectory of their careers. Now, almost forty years later, McCarthy looks to reconnect with peers and co-stars so that together they can reflect on their respective legacies.

To a growing number of Mexicans and Latinos in the Americas, narco-traffickers have become iconic outlaws and the new models of fame and success. They represent a pathway out of the ghetto, nurturing a new American dream fueled by the war on drugs. Narco Cultura looks at this explosive phenomenon from within, exposing cycles of addiction to money, drugs, and violence that are rapidly gaining strength on both sides of the U.S.-Mexico border

Shattered Glass: A WNBPA Story dives deep into the lives beyond the court of the next generation of basketball luminaries, Jonquel Jones, Nneka Ogwumike, and Breanna Stewart, as well as WNBA legend, Sheryl Swoopes. From intense off-season routines to the intricacies of family dynamics to navigating the politics of women’s sports, this documentary offers viewers a rare, all-encompassing look at the athletes as holistic individuals.

Albert and David Maysles’ classic GREY GARDENS immortalized the estate of Edith and Little Edie Beale, relatives of Jacqueline Bouvier Kennedy, who lived in alarmingly poor conditions. But there is more to the story: it was Lee Radziwill and Peter Beard who first brought the Maysles to the Beales, when the two set out to make a film about Radziwill’s childhood. The reels of that first contact were shelved for 45 years. This documentary recovers the lost footage. Anchored in Beard’s recollections and artistic vision, we are returned to “that summer” in 1972, a seductive dream world and collage of radically unconventional creative personalities—Warhol, Bacon, Jagger, Capote—practicing the art of living amidst oppressive forces of class expectation and prejudice.

Making a film about a radio station doesn’t sound like the most visually compelling of projects. How many takes do you need before the acoustic transition from the opening to the closing of a door is perfect or the reader’s voice correctly modulated? Nicolas Philibert has accepted the challenge to portray that which cannot be seen. Shouldering his camera, he spent half a year wandering the endless corridors of Radio France’s ‘round house’ on the banks of the Seine where he filmed people who dedicate themselves utterly and meticulously to their work.

Blue Pullman is a 1960 short documentary film directed by James Ritchie, which follows the development, preparation and a journey from Manchester to London on new British Railways Blue Pullman units. As with earlier British Transport Films, many of the personnel, scientists, engineers, crew and passengers were featured in the 20 minute film. It won several awards, including the Technical & Industrial Information section of the Festival for Films for Television in 1961. The film is also particularly noted for its score, by Clifton Parker, which, unlike the earlier Elizabethan Express is uninterrupted by any commentary.

Mr. Kuo and his wife Mrs. Lin cook for the city’s sleepless. They work all night and sleep during the day, like many others in buzzing Taipei. Until one morning, riding back from the market, Mr. Kuo takes a different exit on the highway.