After his wife and family are horribly murdered, a confederate begins a quest to hunt down the Yankee killers in the American West.
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Valentine Casey is a Marshal in the desolate Tucson territory of the early 1900s. On Christmas Eve, his outlaw family pays him a disturbing visit. He must confront the sins of his past. He and his partner, U.S. Christmas, journey through the desert to a small town that the ruthless Henry Clan has hit in order to save Casey’s love, Adelyne.
Dead West – or The Rise of the Horror Genre and the Fall of the Western. The story of a western movie actor (Johnny Dust) still trying to make it big in a western film studio and theme park, when a ‘new management team’ takes over the park and turns the film studio into a fright-fest for the month of Halloween. Haunted by the image of his dead western movie hero, who appears to him on the little screen, Johnny unravels the real intent of management and its opening night ‘spectacular’, which takes place in the depths of the park’s cave.
Cole Armin comes to Albuquerque to work for his uncle, John Armin, a despotic and hard-hearted czar who operates an ore-hauling freight line, and whose goal is to eliminate a competing line run by Ted Wallace and his sister Celia. Cole tires of his uncle’s heavy-handed tactics and switches over to the Wallace side. Lety Tyler, an agent hired by the uncle, also switches over by warning Cole and Ted of a trap set for them by the uncle and his henchman.
Johnny Hart (Rod Cameron) is on the run from the law after killing one of the men who shot his partner. He passes through a town and stops at a saloon owned by singer Lorena Dumont (Yvonne de Carlo). The two seem a good, albeit tempestuous match, although Johnny has no plans to marry — Lorena has other ideas and a shotgun wedding ensues.
A Swedish settler (David Brian) starts a war when he tries to drive Dakotas off their Wyoming reservation.
An ex-con seeks revenge on the man who put him in prison by planning a robbery of the latter’s stagecoach, which is transporting gold. He enlists the help of a partner, who could be working for his nemesis.
1h 3min | Crime, Romance, Western | 4 July 2018 (USA)
Set in early 19th century Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.
In a disputed border town, the US Army waits for word from Washington as to the rightful country it belongs, while dealing with a rowdy pack of Mexican soldier/bandits. Into the mix rides seemingly mysterious stranger Anthony Steffan, who looks like a dandy but has a few deadly tricks up his sleeve.
Versions of Meriwether Lewis’s 1809 death at a remote wilderness inn are imagined by his friend Alexander Wilson during a tense encounter with the only witness to the famed explorer’s final night alive.
The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.
