An accident during a bar mitzvah celebration leads to a gendered rift in a devout Orthodox community in Jerusalem, in this rousing, good-hearted tale about women speaking truth to patriarchal power.
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The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
Versatile technician Nigel and daughter Annie MacIntyre, officially her producer, are the only people people classy Prudence McCoy lets intervene in the traditional show on household tips she presents, third generation. But the TV station was bought by a tycoon, who sends his son Michael Merchant to modernize the show, assisted by studio executive Jack Jameson, Prue’s ex. That includes a make over and, even worse, co-host Angelica Adams, an immature bikini whether program presenter, who looks up to ‘maternal’ Prue. Her counter-move is no less daring.
The boss and employee of a matchmaking website pretend to be lovers in order to save the company and regain their significant others.
Polar opposites meet and fall in love, but it isn’t long before their relationship is on the rocks. In order to get through the holiday season without too much drama they decide to pretend they are still a couple, but their plan takes an unexpected turn.
The 24th tells the incredibly powerful and timely true story of the all-black Twenty-Fourth United States Infantry Regiment, and the Houston Riot of 1917. The Houston Riot was a mutiny by 156 African American soldiers in response to the brutal violence and abuse at the hands of Houston police officers. The riot, which lasted two hours, led to the death of nine civilians, four policemen and two soldiers and resulted in the largest murder trial in history, which sentenced a total of nineteen men to execution, and forty-one men to life sentences.
In a small Corsican village, the life of Hélène, ordinary and single, She works as a maid in a hotel and is married happily with her Husband Ange and her fifteen year-old daughter. Her modest and monotonous life seems to be predetermined… One day while cleaning a hotel room, she meets a young, seductive, American couple which is playing a game of chess. First fascinated and then passionate about the game, Hélène learns with great tenacity she studies the rule of the game to perfection. She can count on Dr. Kröger, who is a mysterious inhabitant, to help her to achieve her goals. But this positive transition towards a liberty for Hélène does not go about without deeply changing her relationship with family, friends and inhabitants of the village.
Laurel Canyon focuses on Sam and Alex, a pair of upper-middle class lovebirds from the East Coast who relocate to Los Angeles. Enter Jane, Sam’s estranged mother, a successful record producer, who’s more than willing to put the couple up in her lavish digs. As Sam and Alex settle in at Jane’s, they gradually lose their straight-and-narrow approach to life and begin to experiment.
Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Organized through Channel 101 and a bunch of other places, we’re 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop up into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.
A mentally disturbed young woman takes a job at a posh country club and falls in with a clique of wealthy college kids where she’s taken under the wing of the clique’s twisted leader, who harbors some dark secrets too terrifying to tell.
