A strange man named Karl Rhamarevich dies shortly after discovering a way to become even more powerful in death through telekinesis. On the night of his burial in a crypt, Julie is to spend the night there as part of an initiation rite, supervised by two other girls. The crypt becomes a scene of horror as Raymar returns to life and deploys his horrifying telekinetic powers.
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Where do you get those brilliant ideas? A question which plagues all creators. They say success comes with a price, but for the story of Mitch Stockridge, an author of self-help books, that price feeds a bigger monster inside of us all. Into the stressful depths of the creative mind, the lengths that one goes through for success, and the anxiety to keep on producing while on top.
An oil prospector escapes from capture by a primitive cannibal tribe in the Philippine rain forest and heads out to locate his missing companion and their plane to return home.
Suffering from writer’s block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor’s (Nishijima Hidetoshi) beckoning to quietly work on her next novel. Her new environment turns out to be anything but peaceful though when she sights her next door neighbor, professor Minoru Yoshioka (Toyokawa Etsushi), surreptitiously moving a thousand-year-old mummified corpse into his university lab for research. Though Reiko and Yoshioka get off to a bumpy start, the two grow closer over time, enough so that Reiko eventually agrees to hide the mummy in her home. But the mummy isn’t the only unlikely guest in her walls, as a female ghost also lurks disturbingly in the background. At first seemingly a quick trick of the eye, she grows clearer and more distinct by the day.
A young woman bound in the front seat of a parked car watches helpless as her captor methodically digs a grave in the desert ground. The bloody lifeless body of her boyfriend lies framed in the rear-view mirror, a fate she will fight at all costs to avoid for herself. But this is only the beginning of a brutal struggle where survival could be worse than death.
A man who has gone into isolated hiding is haunted by visions of the woman he loves and a mysterious creature in the nearby woods.
The story centers on an elusive serial killer, who descends upon a small town annually. He is responsible for gruesome murders year after year, each seemingly unrelated. No one believes this could be the same killer. Detective Denver has faced Trick once before, having shot and killed him. Or so everyone keeps telling him. However, Denver knows Trick is still out there, and he’s coming back for revenge.
Monique leaves her family quarantine to help a friend who’s suffering from terrible nightmares – but she learns too late that the bad dreams are contagious, along with the demon behind them.
Confined to an asylum for the criminally insane for the past four years, Nica Pierce is erroneously convinced that she, not Chucky, murdered her entire family. But when her psychiatrist introduces a new therapeutic “tool” to facilitate his patients’ group sessions — an all-too-familiar “Good Guy” doll with an innocently smiling face — a string of grisly deaths begins to plague the asylum, and Nica starts to wonder if maybe she isn’t crazy after all. Meanwhile, Andy Barclay, Chucky’s now all-grown-up nemesis from the first three Child’s Plays, races to Nica’s aid. But to save her he’ll have to get past Tiffany, Chucky’s long-ago bride, who will do anything, no matter how deadly or depraved, to help her beloved evil devilish doll.
