Two sisters, two boyfriends, one simple birthday weekend getaway. Or it would have been, if not for the threesome, the love affair, the unexpected arrival of a fiancé, and the ensuing ridiculous dinner role play charade everyone is forced to participate in just to keep from getting caught.

What happens when three sets of BFF’s become enemies?

In this sequel to “Freshman Year (2019)”, CJ and Marcella struggle to protect their relationship against the rising tide of pressure from family, faith, and friends when a devastating discovery upends their lives.

A woman during the Second World War opens her heart to an evacuee after initially resolving to be rid of him.

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Internet songwriter Chow (Cherry Ngan) is gifted with an extraordinary retentive memory. She never forgets anything she has heard. One day, she was kidnapped by Yung (Ronald Cheng), a street punk, to a remote fish raft so desolate that an escape plan seems to be a mission impossible. In the hope to flee with the only ability she has, Chow offers to give a spiritual music therapy to the rather maniacal kidnapper. What happens next is beyond anyone’s imagination – the two who have nothing in common begin to form an intimate bond and connection through music. More than that, Chow finds immense inspirations on this “floating stage”, while discovering the incredible singing voice and vocal range in Yung – a seemingly hopeless criminal can also possess a voice as captivating as the sound of nature…

Abandoned by her mother when she was a child, Shell has stayed to take care of her dying father but now feels trapped within the beautiful but desolate landscape that surrounds her. With only her routine of running the decaying petrol station, taking care of her father, and spending afternoons in her bedroom with a local mechanic, life is passing Shell by with every passing truck that rattles her walls. One day a salesman stops to re-fuel and offers Shell a taste of the outside world that takes her closer than ever to the edge of the road and her desire to escape.

Not a Rowdy Yates in sight in this western set in a stop over for the California to St Louis mail stagecoach run. The two staff are warned that four dangerous outlaws are in the area, and together with a female stage passenger and her baby they wait patiently for the word to go round that these men have been caught. Can you guess where the outlaws decide to hide out while they plan a large gold robbery? What follows is a film that concentrates on small details (like attempts to slip a warning note to a passing stage, or to reach a hidden gun that the bad guys don’t know about) as the captives try anything to get away from the outlaws.

In the seventies Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. 20 years on and these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.

Set against the backdrop of a decaying Midwestern town, a murder becomes the focal point of three people who work in a doll factory.

I’m Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

Based on a New York Times article depicting a single dramatic day in the life of a Latina gang leader in South Central L.A.