Michael Shannon stars in the role of Herbert White, a character based on the poem of the same name by Frank Bidart. The story follows Herbert as he works in the lumber industry, supports his family, and stalks and murders women he picks up in town. While Herbert is not exactly sympathetic, viewers are allowed to enter the mind of a serial killer, and realize that most of the time he behaves like everyone else. Movies like “Henry: Portrait of a Serial Killer” have done this before, but to successfully position the audience inside the mind of a complex human monster in 14 short minutes is quite a feat.
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A man holds an estate agent hostage in an office, threatening to shoot people from the window.
After a heartbreaking loss, a grandfather struggling to reclaim his passion for painting finds the inspiration to create again.
Elizabeth bristles at the religious directives of her parents, asserting her right to personhood outside demure hairstyles and turkey dinners, constructing voodoo dolls and entertaining other manners of dark drawing in her dank emo-den. When confronted with the humanity and hypocrisy of her tormentors, the young antihero vanquishes their belief systems (and bodies) asserting, “You killed me first!”
Belma’s self-confidence gets damaged when the doctor she went to for her skin rash problem tells her that she should get botox. She becomes a woman who is uncomfortable with her skin and gets botox but things do not go as she expected.