Under provincial Italian law at the time, once a roof is erected, the occupants cannot be evicted from a building. This comedy follows the efforts of a family to erect the roof on a house overnight so that a newlywed couple can have their own home.

Kathleen Madigan’s stand up special.

Happy young married couple Paige and Leo are, well, happy. Then a car accident puts Paige into a life-threatening coma. Upon awakening she has lost the previous five years of memories, including those of her beloved Leo, her wedding, a confusing relationship with her parents, or the ending of her relationship with her ex-fiance. Despite these complications, Leo endeavors to win her heart again and rebuild their marriage.

An upcoming two-hour American animated television film split into two parts. Based on Craig Bartlett’s Hey Arnold! TV series, it will serve as a sequel to the series finale in which Arnold found his father’s journal and read about the life of his scientist parents, including their first meeting, birthing him, and a map showing the route they took to the San Lorenzo before they disappeared.

Max Keeble, the victim of his 7th grade class, plots revenge when he learns he’s moving; it backfires when he doesn’t move after all.

Alan Carr recorded this live perfomance at the Hammersmith Apollo in May 2007 to a sell-out audience. Alan talks about childhood and adolescence in his trademark frank and hilarious style.

Anna, a young slave girl, is rescued and adopted by Christians in 2ND Century Smyrna, and befriended by their aged bishop, Polycarp. As Anna is taught by Polycarp and her new family, she struggles to reconcile her beliefs with those of the Christians. When the Roman proconsul demands that all citizens worship Caesar to show their allegiance to Rome, Polycarp and the Christians must find courage to stand for their faith against the growing threat of persecution. Anna is forced to come to grips with the truth and choose whom she is willing to live, and die for.

Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi

Animals attacks, says the TV news. But two ex-security agents know the real cause – maybe the real culprits. Shahrokh and Argenta are former employees of a company they knew to be conducting bizarre medical experiments. What has resulted are not animals attacks, but attacks by humans turned into vicious, decomposing, cannibalistic zombies. Their efforts to stem the violence in vain, hunted by the authorities, Shahrokh and Argenta escape the city just as it is engulfed in chaos. Their only hope lies in finding and organizing the few remaining survivors. What they find – three women claiming to be vampires with high-tech weaponry, a deranged and washed-up Mexican wrestler, a wounded soldier, and a scientist who may know more than he lets on – offer more questions than answers. Can this tiny cadre hope to defeat an army of the undead? And if they succeed…will there be anyone left alive?

An American gets caught up in wartime action in Turkey.

Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the small time.

In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.