The film follows Finnish army machine gun company in Continuation War against Soviet Union, 1941–1944. Based on Väinö Linna’s best selling novel Tuntematon Sotilas (The Unknown Soldier) and the novel’s uncensored version, Sotaromaani (A War Novel).
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A high school outcast who lives in a trailer with his mother finally meets a friend. He wants to ask her if they can go the next step, but then sees her kissing another boy at a party. He runs home only to find his mother having sex with a drunk. He starts yelling, but is countered by the drunk when he suffocates him and makes him look like he hung himself. The scarecrow comes in when the boy’s soul is pushed into it. He goes out for revenge.
Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever.
Suburbanite Ron is spoiled, young and not overly worried about the marijuana charges leveled against him. But, after being made out to be a drug dealer, he faces a five-year jail sentence in San Quentin State Prison. Physically frail and unaccustomed to his rough surroundings, Ron is primed to fall victim to sexual predators and bullying guards – that is, until he’s befriended by Earl, a veteran inmate who finds meaning in protecting the vulnerable new kid.
“Cowboy Up” is a celebration of the risk-taking, daredevil personalities of modern rodeo. In the world of professional bull riding, newcomer Ely Braxton (Marcus Thomas) is the craziest guy around; his brother Hank (Kiefer Sutherland) is a rodeo clown, and the two use each other to play up their acts. But love may be one thing that tears the brothers apart. When Ely falls for the rodeo’s sweetheart (Daryl Hannah), Hank is filled with jealousy and hatred. The brothers try to come to grips with their differences, but the competition gets as fierce as the bulls in the ring.
Tortured by the memory of a childhood trauma, a woman returns after a decade to her family’s fly-in hunting lodge to assist her siblings with their dying father, only to find herself stuck in a life threatening nightmare.
Husband and wife doctors Paul and Kim Jordan need a drastic change. Distraught by the inexplicable death of their baby, Paul (C. Thomas Howell) convinces Kim to abandon their American lives and join a medical mission in Thailand. It seems to be just the distraction they need, until the day Paul is kidnapped by human traffickers who need a surgeon to operate on their wounded leader. Kim is left alone in a strange country, trying desperately to find her husband with no proof of what happened. While captive on the gangs’ secluded island, Paul is caged with Malcolm Andrews (John Rhys-Davies), an Englishman being held for ransom. With nothing to do but talk, the two men quickly clash over philosophy, as Malcolm relies on a bold faith in God and Paul believes no god would allow these evils to happen in the world. Paul takes another hit when he finds his patient’s condition much worse than he can handle on his own in such primitive conditions… Written by Anonymous (IMDB.com).
After weeks of traveling through Europe, the immature William finds himself in Copenhagen, the place of his father’s birth. He befriends the youthful Effy, who works in William’s hotel as part of an internship program, and they set off to find William’s last living relative. Effy’s mix of youthful exuberance and wisdom challenges William unlike any woman ever has. As the attraction builds, he must come to grips with destabilizing elements of his family’s sordid past.
A legendary Native American-hating Army captain nearing retirement in 1892 is given one last assignment: to escort a Cheyenne chief and his family through dangerous territory back to his Montana reservation.
Lane, Bertie and Fred once shared a polyamorous relationship in New Orleans. Lane loved Bertie, Fred loved Bertie, they had a balance that worked… until it didn’t, and Lane vanished from their lives. Two years later, Bertie and Fred have gotten married and are living at Fred’s family home in the countryside of southern France.
For generations the Zhao family has wielded power, until their mortal enemy TU’AN GU slaughters the entire clan, determined to wipe out their influence forever. But one Zhao baby survives hidden by CHENG YING the doctor who delivered him. When Tu’an Gu learns of the baby’s escape he seizes every infant in the city, vowing to kill them all unless the Zhao baby is surrendered. As the tyrant’s soldiers arrive at Cheng Ying’s home the frantic doctor hides his wife with their own baby whilst surrendering the Zhao child as his own. But his family is discovered; his baby is presumed to be the Zhao heir and murdered along with his wife for harboring the infant. Now set on revenge Cheng Ying enrolls the Zhao orphan into the service of the Tu’an Gu household, plotting to use him as an instrument of vengeance when he comes of age.
Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.