Sarah Taylor’s hardscrabble life has turned her into a teenage terror. When her drama teacher helps her channel her ferocious wit into comedy, her life’s delicate balance is set on a collision course with her newfound passion.
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Pacific Coast Academy alumni return to Malibu for an over-the-top wedding that turns into a high school reunion for the books.
Jeong Yoon is a caring wife and mother and a sensitive woman who finds herself plunged into a legal ordeal thousands of miles from home. After years of planning, she and her husband Jong Bae open an auto body repair shop, only to see everything they’ve worked for stripped away when a loan Jong Bae had guaranteed defaults. Facing financial despondency, the couple gets into a vicious fight about money, sending Jeong Yeon away, leaving only a cryptic note saying she’ll be back in a few days. When she turns up looking nervous at Orly Airport in Paris with over 30 kilograms of cocaine in her luggage, it is the beginning of a globe-spanning nightmare that began with an old friend and a tempting proposition.
Emma and Jesse are living the perfect life together, until Jesse disappears in a tragic helicopter crash on their first wedding anniversary. Four years later, Emma has found happiness again and is about to marry her best friend when Jesse resurfaces, turning her world upside down and leaving her torn between two great loves.
Michael, a wimpy young executive, is about to get pulverized by a jealous boyfriend in a bar when a handsome, mysterious stranger steps in–and then disappears. Later that night, while jogging, Michael runs into the stranger on a pier. He introduces himself as Alex, and the two go out to an under- ground club. Alex wheedles his way into Michael’s life and turns it upside down…
Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.
Friends of the recently deceased Quincas take their pal’s body on one last tour of his favorite spots in Brazil’s Bahia.
From an exciting Indian wedding comes a relationship from two different times not only showing the modern but also the traditional. Different characters and stories interact with each other in director Mira Nair film where she used an Indian-American production to illustrate these themes modern day Indians are very familiar with.
A couple checks into a suite in Las Vegas. In flashbacks we see that he’s a computer whiz on the verge of becoming a dot.com millionaire, she’s a lap dancer at a club. He’s depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions. Is mutual attraction stirring?
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)