The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

Follows filmmaker Nathaniel Brislin and a group of fellow researchers on their expedition to a cabin deep in the woods of central Maine where sasquatch activity has been reported.

He Has Seen War is a documentary featuring surviving veterans of Easy Company and the 1st Marine Division, whose stories are told in Band of Brothers and The Pacific. From their initial steps at reintegrating into civilian life to the lasting impact the war had on each of their lives, He Has Seen War features veterans and their families relaying their own unique stories. Complemented by renowned historian and author Donald L. Miller, as well as rarely seen archival and documentary footage, it captures the struggle and ultimate triumph of a generation who, after helping rescue the world from unprecedented calamity, reclaimed their lives and re-forged a country

A group of Sydney-based, Pacific Islander kids start recording drill raps to avoid a life of crime. Two years into their meteoric rise, a police task force shuts down their sold-out national tour due to concerns that the group’s music will incite violence.

The murder of photographer José Luis Cabezas in the summer of 1997 deeply shakes Argentina, and ends up revealing a mafia scheme in which the political and economic powers appear to be involved.

Self-exiled in Turkey since 1999 and recently expelled, Mr. Constantin discovers that he had been declared dead by the Romanian authorities, at the request of his wife.

This year, over 5 million American kids will be bullied at school, online, on the bus, at home, through their cell phones and on the streets of their towns, making it the most common form of violence young people in this country experience. The Bully Project is the first feature documentary film to show how we’ve all been affected by bullying, whether we’ve been victims, perpetrators or stood silent witness. The world we inhabit as adults begins on the playground. The Bully Project opens on the first day of school. For the more than 5 million kids who’ll be bullied this year in the United States, it’s a day filled with more anxiety and foreboding than excitement. As the sun rises and school busses across the country overflow with backpacks, brass instruments and the rambunctious sounds of raging hormones, this is a ride into the unknown.

Portrait of a private coal company in East Berlin’s Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

Tania Head was the ultimate 9/11 survivor. She had the grimmest story. None of it was true.

In the early 1990s, a rare gathering of talent defined Batman for a generation. Twenty-five years later, “Batman: The Animated Series” continues to inspire fans and myth-makers all over the world. This is an in-depth look at the storytellers behind the series.

Documentary following the veteran journalist and his wife Claire as they dealt with the implications of his diagnosis with motor neurone disease in October 2021.

Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true “free lance, ” goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor’s heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.