The parallel lives of writer Truman Capote (1924-84) and playwright Tennessee Williams (1911-83): two friends, two geniuses who, while creating sublime works, were haunted by the ghosts of the past, the shadow of constant doubt, the demon of addictions and the blinding, deceptive glare of success.

In this office satire, Orson, a straight-laced employee, retreats to a blissfully empty corner office to get away from his lackluster colleagues. But why does this seem to upset them so much?

Young Daniela (Ursula Heinle) travels to the city to stay with her widowed uncle, who wrestles with temptation as his pretty house-guest flaunts her sexuality by showering with the door open and casually walking around nude. Meanwhile, much to her uncle’s dismay, Daniela finds herself drawn to the womanizing pilot in a nearby apartment who previously lusted after her late aunt

After discovering a once-in-a-lifetime player with a rocky past abroad, a down on his luck basketball scout takes it upon himself to bring the phenom to the States without his team’s approval. Against the odds, they have one final shot to prove they have what it takes to make it in the NBA.

Dignity. Poise. Mystery. We expect nothing less from the great turn-of-the-century magician, Presto. But when Presto neglects to feed his rabbit one too many times, the magician finds he isn’t the only one with a few tricks up his sleeve!

The third in a series of films featuring François Truffaut’s alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine’s father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers’ seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Comedian Drew Michael is taking the stage and is holding nothing back in his first HBO stand-up special, in which he navigates his fears, anxieties and insecurities in an unconventional stand-up setting. Michael’s darkly comic, stream-of-consciousness monologue raises questions of identity, narrative, self-awareness and the limits of the medium itself.

Workaholic Jim Evers and his wife/business partner, Sara get a call one night from mansion owner, Edward Gracey wants to sell his house. Once the Evers family arrive at the mansion a butler takes them to dine with Gracey. Gracey takes one look at Sara and he thinks she’s his lost lover.

When his lawyer wife, Sofia, becomes pregnant, chronic underachiever Tom Reilly must take a job at his father-in-law’s advertising firm. Tom has to adjust to the demands of a very high-powered job, and he finds himself in an increasingly hostile office rivalry with Chip, Sofia’s paraplegic former lover.

Director Spike Lee chronicles Michael Jackson’s early rise to fame.

Meeting a man on the Internet, Julia decides to see him in person, only to get abducted and branded with the letter “x” by that guy. A game of cat and mouse follows, but the story has an unexpected twist.

A survey of the artistic history of the comic book medium and some of the major talents associated with it.