Investigative journalist Rae de Leon travels nationwide to uncover and examine a shocking pattern: Young women tell the police they’ve been sexually assaulted, but instead of finding justice, they’re charged with the crime of making a false report, arrested, and even imprisoned by the system they believed would protect them.

Eve has married the man of her dreams but when they return to live in the house willed to him by his first wife who died under horrific circumstances, it becomes a waking nightmare as Eve falls into a spiral of suspicion and madness.

45-year-old Rui Nakamura is a highly successful publisher. During the course of work, she encounters a 28-year-old married man named Kou Suzuki who aggressively pursues her. Unexpectedly, Rui Nakamura starts to fall in love with the younger married man Set 5 years after the ending of the NHK drama series “Second Virgin,” Rui Nakamura is transferred to Kuala Lumpur, Malaysia while still taking care of Marie Suzuki.

A cocksure, road-raging family man finds himself pursued and terrorized by the vengeful van driver he chooses to tailgate.

A series of mysterious disappearances in 1987 are all eerily connected to the same person.

Based on Ito Hajime’s original story, this is the seventh installment in the “Bangaichi” series, adapted jointly by Kamba Fumio and Matsuda Hiroo, and directed by Ishii Teruo of “Kamba 101: Killing Bouncer” fame. The film was shot by Kiichi Inada, who also directed “Abashiri Bangaichi: Confrontation in the South” in the same series.

When a runaway teenager is kidnapped by sex traffickers, her mother, a newly appointed judge, has to find and rescue her before they ship her overseas and sell her into sex slavery.

After his family is brutally murdered for an unknown reason, a computer engineer sets out to find those responsible.

The suburban peace of the Bentley household is shattered when John Bentley is informed by his wife Stella that their two married daughters, Pat and Corrine are in trouble and need funds to come home and bring their husbands, Peter, a penniless Parisian artist and Barnaby, a Texas cowboy, with them. And the youngest daughter, Gwen, has tricked an American singer, Bobby Denver, into visiting them on the pretext that it is the home of a noted British film magnate. When all the women in the household — including the maid — fall for the singer’s charms, Bentley consults a crackpot psychiatrist, Dr. Schneider, who almost succeeds in ousting, not the singer, but Bentley’s wife, with his advice to Bentley to make her jealous by living it up with Pearl, a showgirl recruited for the purpose.

Shifting between fact and fiction in a hotel situated along the Mekong River, a filmmaker rehearses a movie expressing the bonds between a vampire-like mother and daughter…

A woman desperately races to save her child after police place her hometown on lockdown due to an active shooter incident.

Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi