An investigation into one woman’s memory as she‘s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive.
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A coming-of-age drama that tackles some of today’s most prevalent issues including religious prejudices, sexual orientation and bullying.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former’s parents, who have insisted their son take part in an arranged marriage to his boss’ daughter.
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In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.
During the Late Tang Dynasty, a manor is invaded by a demon cat and a sense of unrest befalls the capital of Changan. A poet is charged with investigating the case and meets up with a monk. The two work together and pull apart the thread of clues to reveal a history of truths leading to the events.
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