A highly driven law student eludes her entitled rival as she retraces the path of the underground railroad.
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October, 2008. Young nun Colleen is avoiding all contact from her family, until an email from her mother announces, “Your brother is home.” On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters. Her parents are happy enough to see her, but unease and awkwardness abounds. Her brother is living as a recluse in the guesthouse since returning home from the Iraq war. During Colleen’s visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR. Little Sister is a sad comedy about family – a schmaltz-free, pathos-drenched, feel good movie for the little goth girl inside us all.
The second film from British director Guy Ritchie. Snatch tells an obscure story similar to his first fast-paced crazy character-colliding filled film “Lock, Stock and Two Smoking Barrels.” There are two overlapping stories here – one is the search for a stolen diamond, and the other about a boxing promoter who’s having trouble with a psychotic gangster.
Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands – a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss – Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) – an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.
British sad sack Gary is a failed entrepreneur who has just arrived in Beijing’s stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he’s followed his ex-wife and young son, for one — but he soon finds out that China isn’t the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank’s pedagogical method is restricted to yelling at Gary for being a Westerner and not being as “Chinese” as him.
When Cynthia and Mary show up to collect Cynthia’s inheritance from her deceased grandfather, the only item she’s received is an antique sword that he believed to be proof that the South won the Civil War.
Two aging film actresses live as virtual recluses in an old Hollywood mansion. Jane Hudson, a successful child star, cares for her crippled sister Blanche, whose career in later years eclipsed that of Jane. Now the two live together, their relationship affected by simmering subconscious thoughts of mutual envy, hate and revenge.
When architect-turned-recluse Bernadette Fox goes missing prior to a family trip to Antarctica, her 15-year-old daughter Bee goes on a quest with Bernadette’s husband to find her.
A look at the relationship between a young blind samurai (Kimura) and his wife, who will make a sacrifice in order to defend her husband’s honor.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
