A single mother and her young daughter struggle to make ends meet until they inherit their family’s farmhouse. When a business rival covets their water rights, the situation spirals out of control.
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In a Sydney suburb, two nurses, Maria and Flora, a housekeeper, Lotte, and a solicitor, Arnold, attend to Elizabeth Hunter as her expatriate son Sir Basil, a famous but struggling actor in London, and daughter Dorothy, a divorced and down at heel princess, convene at her deathbed. They come to make sure they can leave Australia with their hefty inheritance.
Whenever it becomes known how good he is with guns, ex-gunman George and his wife Dora have to flee the town, in fear of all the gunmen who might want to challenge him. Unfortunately he again spills his secret when he’s drunk. All citizens swear to keep his secret and support him to give up his guns forever — but a boy tells the story to a gang of wanted criminals. Their leader threatens to burn down the whole town, if he doesn’t duel him.
A man in the final stages of AIDS is cared for by his sister and mother and grandmother.
Kate is a young woman subscribed to bad decisions. Her last date with disaster? That of having accepted to work as Santa’s elf for a department store. However, she meets Tom there. Her life takes a new turn. For Kate, it seems too good to be true.
Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin’s mother, Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape.
Shankar (Mahesh Babu) is an orphan who is adopted by a sincere police officer (Rajendra Prasad). But he is forced to leave and become a cop on his own. Shankar is a powerful police officer who uses unconventional methods to bring criminals to justice. He is posted to a village where Damodhar (Sonusood) is building a power plant, which is fiercely opposed by the locals. Shankar finds a personal connection after going to the village. Rest of the story is all about how Shankar sets everything right.
When aspiring rappers Tymez Skwair, Fuzzy Down, and Likrish cross paths with stripper Stesha, they follow her to a mysterious strip club where the sexy ladies are really vampires in disguise. Things go from bad to worse when the vampires’ leader Kulada (Ty Badger) finds out that Tymez holds the key to the bloodsuckers’ world domination in this urban horror film that plays like “Vampire Strippers in the Hood.
Sam Connor kidnaps his young daughters, April and May, sells them to strangers, and accidentally kills his wife when she attempts to intervene. Sixteen years later, April is an out of control outlaw who has come into a life of drugs and crime, while May has grown into a straight laced, refined woman. The plot thickens when April avenges her mother’s death by killing her father, and May is sent to jail as the prime suspect. Fortunately, Detective Arman, instantly taken with May, fights for her innocence and tries to get her out before she is taken down by other hostile prisoners.
When a hateful, vitriolic basement dwelling podcaster goes viral, he garners an audience of violent sycophants and incensed enemies – and faces deadly backlash when he’s doxxed by activist hackers.
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.