Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
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It is 1939. Flamboyant Czech diplomat Jan Masaryk has fled to America to escape his recent past. Germany has invaded Czechoslovakia and Masaryk is now a man with no nation. In America he tries to forget the personal and political betrayal he and his country have suffered but these events shadow his every step. As the Czechoslovak ambassador in London, Masaryk failed to win the support of the British and could not avert the ruination of his country. With the help of Dr. Stein, an emigre German psychiatrist, and the beautiful writer Marcia Davenport, Masaryk tries to overcome his demons and re-live the dramatic events leading to the outbreak of the second world war.
When June is rejected by life, she spirals into a chaotic, schizophrenic world where love and normality collide with humorous consequences.
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress “Simone” to sub for the star — the first totally believable synthetic actress.
An old couple, their only son, the son’s wife, a young man and his lover live peacefully in a village. Then, a terrifying earthquake strikes that causes a nearby nuclear station to explode. The residents must evacuate, but the family lives on a farm, with only half of the area designated as an evacuation area…
What do you do when love simply isn’t on the cards and keeps passing you by? 60-year-old Kristýna has lost her last ray of hope, so she goes off with her daughter Sára to talk to a fortune-teller about her sorry lot in life. One year on from Mirrors in the Dark, Šimon Holý brings us another wholly independent film about life’s traumas as seen from a female perspective, this time with a liberal dose of esoterica on top.
Hamlet/Horatio begins on an empty sound stage with the death of Hamlet. The action transpires in his last moment of awareness as the hero of Shakespeare’s most famous play watches his life flash before him while his soul transcends all earthly conflict. Hamlet/Horatio is told from the perspective of Hamlet’s closest friend and confidante, Horatio, who takes on the role of film director in order to fulfill his promise to dying Hamlet of telling the story of Hamlet’s life so that the world will know of Hamlet’s tragic sacrifice.
In a parody of “Game of Thrones,” nobles from the Eight Kingdoms gather for Purge Fest 3000 to try and put an end to their violent conflicts, while members of the Fat King’s own family conspire to overthrow him.
Former legendary assassin Kenshin Himura has now become a wandering samurai. Offering aid & protecting those in need as atonement for his past deeds. During this time Kenshin Himura comes across and aides Kaoru Kamiya (Emi Takei). Her father opened the Kamiya Kasshin-ryu, a kendo school located in Tokyo and Kaoru is now an instructor there. Kaoru then invites Kenshin to stay at her dojo. Their relationship develops further, but Kenshin is still haunted by his violent past…
A subversive tale that interlaces five stories set in Los Angeles, where no taboo is left unexplored as each character careens toward a dark and often comic fate