Story follows young man Strahinja who is in love with a local beauty Radojka, but their relationship has an obstacle – her father Zivan, who considers Strahinja as nothing but a loser. To prove that he’s able to take care of himself and his future bride, Strahinja agrees to take vacancy in village mill… But, mill is known as a place where no one meets the dawn alive…
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Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive figure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm’s world is falling apart around him. In the midst of this crisis, Colm solicits sex from a young man called Jay. This encounter and his growing infatuation has a deep effect on Colm. He finds a comfort in Jay that no one else can provide.
A three-part omnibus of tales surrounding ordinary people and the circumstances they stumble upon that will turn them into murderers.
Obsession, sex and illusion are exposed in a series of stories.
In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.
Two hillbillies are suspected of being killers by a group of paranoid college kids camping near the duo’s West Virginian cabin. As the body count climbs, so does the fear and confusion as the college kids try to seek revenge against the pair.
Built to Kill is an edgy, hyper-stylish horror anthology about people pushed, pulled, and driven to kill. An abused wife tends to the post-robbery wounds of her criminal ex-husband, when they are visited by a mysterious – and malevolent – preacher. A teenage girl lost in life finds belonging in a cult that brings out her darkest side. A man trapped in a deadly loop must lure another victim to buy his freedom. Two sisters must find a way forward and an unspeakable act is the only way to rid them of their abusive father. And a young woman buys her way, with flesh and blood, into a secret society.
German artist Kurt Barnert has escaped East Germany and now lives in West Germany, but is tormented by his childhood under the Nazis and the GDR-regime.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
A friendship is tested when two young men leave their German hometown for a freer life in majestic Barcelona, where fate and choices threaten their once unbreakable bond.
Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
