A young woman’s husband apparently commits suicide without warning or reason, leaving behind his wife and infant. Yumiko remarries and moves from Osaka to a small fishing village, yet continues to search for meaning in a lonely world.
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In the short break between performances in Calais, stage actress Alix makes a quick escape to Paris. On the train she meets a mysterious English stranger and, for the most fleeting of afternoons, imagines what the future could hold down a different road.
Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.
Two boys, still grieving the death of their mother, find themselves the unwitting benefactors of a bag of bank robbery loot in the week before the United Kingdom switches its official currency to the Euro. What’s a kid to do?
An unattractive 7th grader struggles to cope with suburban life as the middle child with un-attentive parents and bullies at school.
When Rudy Baylor, a young attorney with no clients, goes to work for a seedy ambulance chaser, he wants to help the parents of a terminally ill boy in their suit against an insurance company. But to take on corporate America, Rudy and a scrappy paralegal must open their own law firm.
Kelly is a sassy young woman who loves performing and dreams of becoming a Hollywood star. Her devoted brother Brian, an actor himself, sets out to do everything he can to help make her dream a reality. As sometimes happens in close-knit relationships, jealousy and co-dependency threaten to break the siblings apart. Kelly’s Hollywood is a loving glimpse into a tender relationship.
The film stars two of Itami’s regular actors, Nobuko Miyamoto as a geisha who brings luck to the men with whom she sleeps, and Masahiko Tsugawa as her unfaithful, sometimes partner. As well as showing her relationships with the man she loves and the men who employ her, it satirizes corruption and the influence of money in Japanese politics.
After meeting one bright, sunny day, a shy boy who expresses himself through haiku and a bubbly but self-conscious girl share a brief, magical summer.
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
For the “Dough Boys” every day is a struggle to survive. Determined to make something of their lives, these four friends work any hustle no matter how risky. But when they bite off more than they can chew, their loyal bond is tested as they fight to stay alive. Now, the rules of the street that they live by are the very rules that could destroy them.
Marie Heurtin is born both blind and deaf. Sister Marguerette wins her trust and teaches her how to express herself.