The true story of four men who narrowly escaped death at the hands of Argentina’s military death squads during the 1970s is brought to the screen in this thriller. In 1977, Claudio Tamburrini (Rodrigo de la Serna) was a goalie for a minor-league football team when he was abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he was a terrorist. Over 30,000 people lost their lives at the hands of Argentinean authorities under the military junta that ruled the country between 1976 and 1983, and as he was tortured by intelligence agents looking for information he didn’t have, Tamburrini fully expected to become another victim. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo (Nazareno Casero) and Tano (Martin Urruty) were being readied for execution when, in a final desperate act, Tamburrini dove out a window during a rainstorm.
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The final chapter of George A. Romero’s “Dead Trilogy”. In an underground government installation they are searching for a cure to overcome this strange transformation into zombies. Unfortunately, the zombies from above ground have made their way into the bunker.
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Separation opens with an absolutely innocent shot of a young girl riding a bicycle. It isn’t until later in the film that we learn exactly what we were watching. And that is exactly what Separation is all about. This is a film that masterfully uses sleight of hand like a highly-skilled magician to show us one thing while setting up something completely different. And writer/director Greg White brings it all together in a tense film with an exciting climax that pulls back all the curtains.
This film-noir piece, told in semi-documentary style, follows police on the hunt for a resourceful criminal who shoots and kills a cop.
This sci-fi thriller finds the world in imminent danger when a collision in outer space sends huge pieces of interstellar debris on a path headed straight for Earth. A scientist has designed a system that would stop the largest meteor fragments from striking the earth, but a fanatical religious cult have made it their business to stop him. A convicted murderer (Ice-T) with ties to the group must now join forces with an FBI agent (Suzy Amis) to free the scientist from the cult’s clutches and prevent millions of needless deaths. Mario Van Peebles and Linden Ashby appear in supporting roles
Author Ben Mears returns to his childhood home of Jerusalem’s Lot only to discover his hometown is being preyed upon by a bloodthirsty vampire.
After Robert, a marrying-up groom, ‘accidentally’ shoots his fiance’s Maid of Honor in the face during a drunken skeet-shooting session, his meddling mother does whatever it takes to ensure the wedding takes place.
Qinawi, a physically challenged peddler who makes his living selling newspapers in the central Cairo train station, is obsessed with Hanuma, an attractive young woman who sells drinks. While she jokes with him about a possible relationship, she is actually in love with Abu Siri, a strong and respected porter at the station who is struggling to unionize his fellow workers to combat their boss’ exploitative and abusive treatment.
A tropical singles retreat takes a terrifying turn when guests realize a poisonous shark is infesting the surrounding water. Not only will it rip apart its victims, but it also uses projectile acid to hunt – in and out of the water.
It’s Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn’t been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity.
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Two playwrights, George and Charlie, are tasked with the challenge of creating the next “avant-garde, surrealistic, mind-bending neo-noire thriller”. As they write, the story comes to life in real time. However, their own emotions and arguments also begin to manifest on film, creating sharp twists and turns that affect the entire movie. Filled with hilarity and chaos, Murder, Anyone? is a comedic play-within-a-play-within-a-movie that contemplates the complexities of language, art, theater, film and more.