A modern-dress adaptation of Christopher Marlowe’s Elizabethan tragedy about King Edward II’s homosexual relationship with the ambitious Gaveston, and his overthrow by the queen and the outraged nobility.
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Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who’s aging quickly and becoming forgetful, mum’s ghastly upper-middle-class neighbors, and Cyril’s pretentious sister and philandering husband. Shirley wants a baby, but Cyril, who reads Marx and wants the world to be perfect, is reluctant. Cyril’s mum locks herself out and must ask her snooty neighbors for help. Then Cyril’s sister Valerie stages a surprise party for mum’s 70th birthday, a disaster from start to finish. Shirley holds things together, and she and Cyril may put aside her Dutch cap after all.
Two zoologists seeking the extinct Anatolian panther search for its traces in the deep forests of Anatolia. Veysel believes the almost mythical panther embodies something beyond an animal, an element that Anatolian people have lost and are still looking for. For Emre, only the idea of photographing the absent Anatolian panther excites him. They manage to capture an obscure image of the large cat, but they can’t prove it is the panther’s. The two friend are surprised and disturbed when they see stuffed panthers at the offices of some bureaucrats. A secret Veysel reveals to Emre in Hacıbektaş changes both of them. Will searching for something non-existent destroy them, too?
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
Reporter Clay Pigeon interviews New Yorkers in October, 2008.
A haunted Vietnam veteran, living in exile in the forests of the Pacific Northwest, is faced with a life-changing decision after he is visited by a former platoon member and his young Amerasian daughter.
Set in the early 1990s, “As You Are” is the telling and retelling of a relationship between three teenagers as it traces the course of their friendship through a construction of disparate memories prompted by a police investigation.
Genevieve Harper makes the most out of raising her two siblings after their parents’ tragic accident. At just 24, Viv has devoted herself to providing her family with the best life possible, sacrificing her own dreams along the way. When Trent Fox, a known player on and off the baseball field, shows up at Viv’s job, the Lotus House Yoga Center to recuperate, the attraction between the two of them is instant. But Viv does not have time to devote to a man, let alone a man who will only break her heart. Can love grow between a woman who’s rooted in her life and a man who resists any notion of setting roots down?
Aliens land in a small town where Jesse Jamison is about to have a gun show and bullets fly after the aliens start killing people. Watch out Diamond Booking agency for your next momentous event!
