A unique examination of the life-long existential journey taken by a self-made musician, his unforgiving ambition and self-destructive determination to express himself.
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On the heels of the Civil Rights Movement, one fearless black pioneer reconceived a Harlem Renaissance for a new era, ushering giants and rising stars of black American culture onto the national television stage. He was hip. He was smart. He was innovative, political, and gay. In his personal fight for social equality, this man ensured the Revolution would be televised. The man was Ellis Haizlip. The Revolution was soul!
Nic, also called “Lovely Boy”, is the rising star of the roman suburbs. Tattoos and pure talent, he creates the XXG with his friend Borneo, a music duo that is headed straight to the top. Nic is then sucked into a spiral of self-destruction, which will lead him to a breaking point: he will soon have to deal with himself.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.
When a peace agreement between the FARC rebel movement and the Colombian government looks like it will put an end to half a century of conflicts, 30-year-old Yira visits her mother in Colombia after spending 10 years in exile in Cuba. Yira has herself become a mother and wants to give her daughter the family she never had. She confronts her mother, Ruby, with a neglected childhood in the shadow of her parents’ political struggles and persecution. She wants her mother to join her in exile in Canada, so that they can finally be together in safety. But Ruby can’t let go of her political ideals and choose her family instead. It is not just Yira’s childhood that has been sacrificed. She has also sacrificed her own life and safety to such an extent that she has to drive around in an armoured car, constantly protected by armed guards. As the peacetime death toll continues to rise, Ruby is faced with a difficult dilemma. If she chooses her daughter, she gives up on her people.
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