On a summer day, a man, his daughter and his companion arrive at their country house to spend the weekend. The daughter has just moved in with her father, whose attention she desires. The man is tired of his life, and does not know where to find the strength to carry on living. The woman, a violinist, is confused in her priorities – music, love or career. Despite the fact that the man and the woman love each other, their tense relationship is on the brink of collapse.
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An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community’s clergy. But the locals don’t take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.
In this reimagining of the 2010 Mexican film of the same name, director Jim Mickle paints a gruesome portrait of an introverted family struggling to keep their macabre traditions alive, giving us something we can really sink our teeth into.
Three souls vibe in the island off of northeastern Mindanao.
It’s tough beat for San Francisco police lieutenant Jake Martin (Walter Matthau) when he has to investigate a city bus massacre in which a madman opened machine gunfire on eight people.
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A dramatic recreation of the Johnstown Flood of 1889.
