The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
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Steve Wraith had a fascination with the Krays, and after writing them letters Reg took an instant liking to him, even requesting Steve visit with his brother Ron, in Broadmoor. They would go on to ask Steve to take over their business interests in the outside world. As it turned out, this was an exercise in trust, grooming him, as what came next was a stark lesson in just how terrifying the Krays could be, even behind bars.
Willem was an artist who lived openly as a gay man at a time when few did. Frieda was a well-connected musician who became the first woman to lead an orchestra. We learn of their early lives and the selfless decisions that informed their devotion to the anti-Nazi cause, often at great personal risk. The gentle revelation of these extraordinary lives is gradually revealed through archive footage, skillfully combined with photographs and interviews with experts, journalists and family members.
In 1982, three 11 year-olds in Mississippi set out to remake their favorite film: Raiders of the Lost Ark. It took seven turbulent years that tested the limits of their friendship and nearly burned down their mother’s house. By the end, they had completed every scene except one… the explosive airplane scene. 30 years later, they attempt to finally realize their childhood dream by building a replica of the 75 foot “Flying Wing” plane from Raiders in a mud pit in the backwoods of Mississippi… and then blow it up! This is the story behind the making of what is known as “the greatest fan film ever made.”
Man in the Arena is a feature-length documentary film exploring the life and accomplishments of media icon and political strategist Roger Ailes. Long before founding FOX News, Roger Ailes was an Emmy Award winning producer, director, documentarian, sought-after corporate consultant, and top political strategist. Many know of Ailes and his association with FOX, but few know how he got there, his work electing three presidents, or his pioneering mastery of television production and broadcasting.
A look at abductions in the New England area
Doctors, scientists and chefs around the globe combat illness with dietary changes, believing fat should be embraced as a source of fuel.
Rocket science meets the auto industry as “APEX” follows a thread that starts in the design studios and R&D labs where these “fighter jets of the street” are created, and leads to a perilous racetrack in Germany where drivers can reach new heights of speed and performance — if they dare. Equal parts human drama and speed, “APEX” follows Swedish entrepreneur Christian von Koenigsegg, a lifelong sports car enthusiast on a personal quest to build a “mega” car whose golden ratio defies all expectations for a hypercar’s velocity and power, while competing against the biggest names in motorsports for space on the world stage. With insights from top engineers and designers, “APEX” pulls back the curtain on the top-secret development facilities at Porsche, Ferrari, McLaren and Pagani, where awe-inspiring hypercars are imagined and built, and puts you inches from the action, as top drivers shake down the latest hypercars, flat-out on some of the world’s greatest racetracks.
To a growing number of Mexicans and Latinos in the Americas, narco-traffickers have become iconic outlaws and the new models of fame and success. They represent a pathway out of the ghetto, nurturing a new American dream fueled by the war on drugs. Narco Cultura looks at this explosive phenomenon from within, exposing cycles of addiction to money, drugs, and violence that are rapidly gaining strength on both sides of the U.S.-Mexico border
A group of best buddies do some crazy stunts and pranks this is basically a low budget Jack-Ass movie.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
