When her husband Cemal is arrested in Romania, Emine is left alone with their child who needs immediate surgery. She takes a job as a needle worker at a garment workshop where she comes across Ziya, her husband’s former boss. He can’t stay indifferent when he learns what the woman he once fancied is going through. When Cemal returns months later, he finds Emine working at the garment workshop and their son healthy. A hospital bill he accidentally sees reveals that Ziya has paid for the surgery and Emine hid this fact. Will Cemal, who already blames Ziya for what he went through and is extremely jealous of Emine, be able to confront this situation or choose to ignore it?
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It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
Diane Walters, an over-burdened mother of two with a third child on the way, strives to create the perfect Christmas while her loving but dysfunctional family falls apart around her.
J is in their early teens and lives in the countryside. J has been diagnosed with Gender Identity Disorder, goes by the selected pronoun “they”, and takes hormone blockers to suspend puberty. While J’s parents are away, their older sister and her Iranian boyfriend are assigned the duties of house-sitting and looking after J.
Dennis Hopper is a hard-drinking truck driver who loses control of his truck under the influence and slams it into a busload of screaming children. After serving his five year jail sentence, Hopper finds his daughter, Cebe (Linda Manz), the love of his live, grown into a rebellious punk in a backwater town, having barely been looked after by her junkie mon (Sharron Farrell). Cebe’s hopes of once again becoming a “normal” family painfully proves to be doomed, as she desperately tries to hold everyone together. Hopper’s loose, naturalistic style and sympathetic, yet critical attitude infuses the drama with a painful power that finally erupts in a devastating and thrillling conclusion.
In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola’s mom, Anne, “accidentally” reads her teenage daughter’s racy journal, she realizes just how wide their communication gap has grown.
A family reunion goes awry when the oldest son makes the accusation that his dying father, a famed psychiatrist who also did work for the CIA, adopted his children for the purposes of psychological experimentation.
Events in India’s history — from the Emergency and the famous Cricket World Cup win to the Punjab riots — unfold from the perspective of an innocent Sikh man Laal Singh Chaddha, a person with a low IQ but high optimism. Laal is able to achieve everything under the sun but his childhood love continues to elude him.
The recounted events of the night two estranged brothers attempted to reunite after being torn apart by a small town, seemingly taken over by martial law.
When a group of friends hold a reunion to remember the life of a childhood friend who passed away ten years prior, they find out a friend in need isn’t always a friend indeed.
