Alex is a paramedic who saves lives on London’s gay chemsex scene, but can he save himself from it?
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When WW1 breaks out, farm boys, Billy (Josh Davis) and Jack Kelly (Mathew John Davis), along with their cousin, Paddy (Lachie Hume), sign up, and are shipped out to serve in Europe. With Billy a dead-eye shot with a rifle, the boys are soon set up as a sniper team, mowing down Germans and Turks like nobody’s business. They become heroes, but back home, the family farm is being circled by a gang of cattle thieves, meaning that even when the war ends, the blood is set to keep flowing.
An all-Irish cast (including Donal McCann, Rachael Dowling and Colm Meaney) lends authenticity and gravitas to director John Huston’s final film, an elegiac take on a short story by James Joyce (from The Dubliners). After a convivial holiday dinner party (circa 1904), things begin to unravel when a husband and wife address some prickly issues concerning their marriage. The movie stars Huston’s daughter, Anjelica, and was scripted by his son, Tony.
A single mother must protect her daughter and herself during a heist gone wrong at a high-tech storage facility.
Hong Kong, 1960s. Zhang, a shy tailor’s assistant, is riveted by his imperious client Miss Hua. Upon meeting her, she seduces him to make sure he will truly remember her when designing her garments. After this intimate first encounter, a rapport develops between the two. Entry is for the theatrically released extended version, not the segment from the Eros anthology.
Two brothers, down on their luck, fake a disappearance in the Alaskan wilderness so they’ll have a great survival story to sell, but the hoax turns out to be more real than they planned.
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
Among the guests who come to the mansion of aristocratic landowner Nikolai over Christmas are a politician, a young countess, and a general with his wife. They dine and discuss topics such as progress and morality. As the debate becomes more heated, cultural differences become increasingly apparent.
After “hooking up” with a series of guys at a house party, April is the talk of her high school.
Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito’s son and Jessie’s grandson, who is bright, good-looking, and without a criminal past.
Tom Ripley is a calculating young man who believes it’s better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
It’s a classic case of opposite attraction: Handsome Ben Bennet (Ethan Sharrett) is a gay, affluent, stylish attorney at the top of the genteel social set in southern Virginia, while Lee Darcy (Chase Conner) is a rough-hewn welder with a secret that he nightly tries to blot out with an excess of liquor.
