Trevor Phillips confronts some uncomfortable truths about racial stereotypes, as he asks if attempts to improve equality have led to serious negative consequences.
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The story of Queen Elizabeth II from those who know her best.
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‘Rise of the Sufferfests’ is the first feature documentary about the global obstacle race phenomenon.
Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.
Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he received for allegedly breaking the UN cultural boycott of South Africa designed to end the Apartheid regime. On the 25th anniversary of Paul Simon’s GRACELAND, acclaimed documentary filmmaker Joe Berlinger offers a glimpse at the controversy surrounding the decision to record the album in South Africa despite a UN boycott of the nation, which was aimed at ending apartheid. In the run-up to an eagerly anticipated reunion concert, Simon, Quincy Jones, Peter Gabriel, David Byrne, Harry Belafonte, Paul McCartney and others reflect on the decision to record with local artists in South Africa, and the cultural impact of the album that delivered such hits as “I Know What I Know” and “You Can Call Me Al.”
Three men travel to the Philippines to search for the love of their lives. But find that their lives are not important to the woman they find.
A documentary about the 20th century German sculptor and performance artist Joseph Beuys.
Documentary on the Japanese boxer Unchain Kaji, who retired from the ring at the age of 30 with an eye injury and a losing record. He then tries to start a new life as a civilian.
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A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
