Thomas Hart Benton’s paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

A deep look inside a gentrifying community in Denver, where a shooting case involving an activist becomes a window into the political machinations of urban development and the city’s gang activity.

To the world, Joe DeAngelo was a devoted family man, reliable friend and proud police officer. But secretly, he was a serial rapist and murderer who haunted California for over 40 years.

Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him.

Filmmaker Liz Garbus investigates the mysterious tragedy of Diane Schuler in an effort to understand what went wrong.

There is no painter in the world both more famous and less known than Edvard Munch. The debt contemporary culture has towards Munch is impressive, from Andy Warhol to Ingmar Bergman, from Marina Abramovich to Jasper Johns. If his painting has become a symbol and at the same time an omen of the tragedies of the twentieth century, his art has travelled new and experimental roads of extraordinary modernity. Today, however, it is his city, Oslo, which sets a turning point for the knowledge of Munch: the birth of a new museum opened in Fall 2021. The documentary will start from there to shed light on a man and an artist with singular charm, a precursor and a master.

A feature-length exploration of the game’s creation, GROUNDED: Making the Last of Us is a love letter to the trials of exploring new territory. There are no road maps or guide books for creating a new world. The only way through is to fail—over and over again. This is the story of how a team of artists, musicians, programmers, writers, actors, filmmakers, playtesters, and a lonely UI designer—came together and pushed each other to build something larger than themselves.

The self-help industry is worth $11 billion dollars a year. It’s an industry that captivates those seeking happiness, release from suffering and those longing for a path and a leader to follow. James Arthur Ray for many who followed him was that leader to guide his flock. But as the story unfolds, as told by Ray himself and also by his followers, we learn that that path was fraught with danger and perhaps even greater suffering. Through honest and candid interviews, interwoven with court footage and news archive, Enlighten Us asks the important questions, “What are we looking for” and “Who has the answers” and perhaps even the simple question “Why?”.

The Laughter Life follows a week in the life of the young comedians who write and star in Studio C, a popular sketch comedy television show that has garnered over 1 billion views on YouTube.

Jimmy Carr refutes the idea that one can’t joke about anything these days with his edgy takes on gun control, religion, cancel culture, and consent.