Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri’s mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri’s brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri’s, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, “I want to see you.” Because she blames herself for her brother’s death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app’s users begin to die.

At the end of 21st century, mankind was facing global resource depletion. Space Rovers were sent out to find potentially habitable planets.

Sydney is a troubled teen heading for trouble. After being caught shoplifting and a case of alcohol poisoning, Sydney’s desperate single mother sends her off to the country to live with her father, Ben, and his new pregnant wife, Emma. Sydney misses her boyfriend, her city life and doesn’t get on with her dad or stepmom. Slowly she starts to settle in as she makes friends with Jess, a local girl whose mother died of cancer. Sydney makes a couple of mistakes but after her grandfather’s death the extended family start to heal.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

A man searches for his wife and protects his daughter during the beginning of the zombie apocalypse.

David Prowse is an eighty years old actor, who has lived behind Darth Vader’s mask during three decades. A group of Star Wars fans find out why he has been apparently forgotten by Lucasfilm during thirty years, and decide to give him back the glory he never had. This is their last opportunity.

Following the journey of an Evangelical minister trying to find the courage to preach about the growing toll of gun violence in America. Reverend Rob Schenck, anti-abortion activist and fixture on the political far right, breaks with orthodoxy by questioning whether being pro-gun is consistent with being pro-life.

Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.

A young penguin, driven by his instinct, embarks on his first major trip to an unknown destination.

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

A woman’s life is turned upside-down when a dangerous man gets a hold of her lost cell phone and uses it to track her every move.

The story, set in the heady post-war 50s into the early 60s , revolves around a love triangle between Tomoko, long playing the mistress to married older writer Shitto (Kaoru Kobayashi) and the new stud who comes into her life, Ryota Kinoshita (Gou Ayano). Tomoko (Hikari Mitsushima) is sick and tired of her relationship with writer Shingo, who is married and has children. Shingo is a talented writer, but has yet to be recognized by the public. Tomoko then enters into a sexual relationship with younger man Ryota Kinoshita, but Tomoko is not satisfied.