As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.

The story of an Afro-Cuban group who kept alive songs and dances their ancestor had brought aboard the slave ship from Africa. They were so specific that around 200 years later, a village of Africans watched them, joined in singing, and said simply, joyously: “They Are We”. This film tells the story of how they found each other and how they work to be able to reunite.

Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.

Gianluca Vacchi – Mucho Más is an unprecedented journey through the secrets and fragilities of a true lifestyle pop star, a portrait that goes beyond fame, wealth and irreverence, showing the man behind the celebrity.

In 1959, Fidel Castro rose to power in Cuba. He has been one of the most controversial figures in the world ever since. This is the story of the Cuban dictator’s turbulent career, told in part through media reports, rare images and recordings.

For over a thousand years, a secretive Buddhist sect has lived on an isolated monastery in Japan performing acts of extreme physical endurance in their pursuit of enlightenment. A filmmaker, struggling to reconcile his desires with his faith, sets off to the strict monastery in search of answers. When he arrives, his presence is not welcomed and the only monk who will speak with him is an outcast who prefers ice cream and Slayer to meditation. Together they forge an unlikely friendship that leads them to higher truths and occasionally, a little trouble. Shot over five years on three continents, Crows are White is an exploration of truth, faith and love, from the top of a mountain to the bottom of a sundae.

After a surfer dies off Morro Bay, Calif., on Christmas Eve, shark attack investigators Ralph Collier and Brandon McMillan use forensic evidence and eyewitness accounts to identify the suspected killer: an 18-foot great white.

In the sixth installment of the Criterion Channel’s Meet the Filmmakers series, director Alex Ross Perry (Her Smell, Listen Up Philip) visits the ever-iconoclastic auteur Paul Schrader during the making of his 2017 masterpiece First Reformed. On set and at home- where, for his own pleasure, he continues to work and rework his previous films- Schrader reflects on the highs and lows of his legendary career, the challenges and rewards of slow cinema, and the influences and experiences that continue to shape his approach to filmmaking. With this insightful portrait of one of his filmmaking heroes, Perry captures an artist who is continually at play, intentionally provocative, and never less than vital.

Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history.

With “sealfies” and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Jack Whitehall takes the stage at London’s O2 Arena to riff on dogs, drinking, dining alone, and finally deciding to settle down and become a father.

They called themselves the United Society of Believers in Christ’s Second Appearing, but because of their ecstatic dancing, the world called them Shakers. Ken Burns creates a moving portrait of this particularly American movement, and in the process, offers us a new and unusually moving way to understand the Shakers.