‘A New Beginning’ focuses around the story of Leung, the bodyguard of a Chinese Triad boss, Wong, to whom his loyalty is unrivaled. Living in Hong Kong, Wong requests that his bodyguard travel to the UK to protect a young British woman, whose true identity is known only by Wong himself. Even his own errant son, Yuen, is kept in the dark, which leads to a betrayal that threatens to destroy the family and all that his father has worked hard to protect.
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Based on the literary classic by Thomas Hardy, Far from the Madding Crowd is the story of independent, beautiful and headstrong Bathsheba Everdene, who attracts three very different suitors: Gabriel Oak, a sheep farmer, captivated by her fetching willfulness; Frank Troy, a handsome and reckless Sergeant; and William Boldwood, a prosperous and mature bachelor. This timeless story of Bathsheba’s choices and passions explores the nature of relationships and love – as well as the human ability to overcome hardships through resilience and perseverance.
Fung looks like a super-heartthrob and was bon with a special endowment, making him the high school idol. He was expelled from school when he was caught fighting on campus. When his mom, the sole provider of his family with her poultry business, had to stop working due to her back problems, Fung decides to support his family financially. And from that moment, his life takes on a tumultuous change…
British film, released in the United States as “Stop Me Before I Kill!”. A few hours after their wedding, international racing driver, Alan Colby and his new wife Denise, are involved in a horrific car crash. Alan’s physical injuries heal but the mental blackouts continue. Denise suggests a delayed honeymoon in the south of France and it is here that eminent psychiatrist, Dr. Prade, promises a complete treatment to cure Alan’s suffering. The couple accept his offer unaware that it comes from a mind more hideously disturbed and psychologically unbalanced than Alan’s.
A single mother, plagued by the violent death of her husband, battles with her son’s fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
A clash between fishermen and poachers is surging on the Po river Delta. A local group of volunteers lead by Osso wants to save the river from overfishing and defend it from the Florians, a family on the run from the Danube region. They have with them Elia, who once was part of the local community and now is on the opposite side of the conflict. Overtaken by blind violence and thirst for vengeance, Elia and Osso will confront each other in the Delta fogs, discovering their real nature in a fight that has no heroes.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
Officially, Apollo 17 was the last manned mission to the moon. But a year later in 1973, three American astronauts were sent on a secret mission to the moon funded by the US Department of Defense. What you are about to see is the actual footage which the astronauts captured on that mission. While NASA denies it’s authenticity, others say it’s the real reason we’ve never gone back to the moon.
After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, Anna Muylaert turns her eye on the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.
