It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.

A teenager tries to deal with his guilty conscience after his role in a prank that causes the death of his girlfriend’s older brother.

New York City teenager Jo (Ana Villafañe) witnesses the gruesome murder of both her parents and is sent to rural Montana as part of the Witness Protection Program. On top of having no cell phone, email or any contact with her past life, plus hiding from a dangerous hitman out to finish her off, Jo must also deal with the drama of being the new kid in the small town’s high school (www.tribute.ca).

When Paaru sees a fairy tale she heard from from a stranger as a child painted across the walls of a costal town, she goes in search of the man who painted it – Maara.

A disaffected American-Nepali half Hindu-Muslim boy detours to Kathmandu on his way to join the on going war in Syria, but his battle against a local don who kills his grandfather teaches him to follow a far more greater purpose in life, and in the process he reconnects with his roots, culture and traditions of the Himalayan nation, which he had forgotten.

While working alone late at the office one night, Veronica is raped by a returning male colleague, who accidentally kills her in the process (she falls back and hits her head on a sharp object). Later that same evening, he comes across a bar hostess who looks identical to the woman that he has just murdered. He eventually talks her into showing up for work in Veronica’s place on the very next day, and handing in her resignation. Unfortunately for him, she is persuaded to stay, and decides to continue impersonating the deceased secretary.

In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years, but have been forbidden for law enforcement in America. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy – a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit – is critically injured, OmniCorp sees their chance to build a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine.

Victor aka Hammer is an MMA champion with the world title fight ahead. After running into the mobster Shark Hammer gets injured but is still determined to win. Victor doesn’t know Shark will stick at nothing to make Victor lose.

Max Manus is a Norwegian 2008 biographic war film based on the real events of the life of resistance fighter Max Manus (1914–96), after his contribution in the Winter War against the Soviet Union. The story follows Manus through the outbreak of World War II in Norway until peacetime in 1945.

After he refuses to disavow his faith, a devout Christian student (Shane Harper) must prove the existence of God or else his college philosophy professor (Kevin Sorbo) will fail him.

The massive scandal comes to light through a father’s unwavering search for the truth behind the sudden death of his family.

In this fresh retelling of the famed Ancient Roman poet’s life set in contemporary Detroit, the young Ovid finds his life in danger when he clashes with the emperor by writing a guide to love and seduction.