Georgina is an ambitious young London professional who learns she has only one month left in which to conceive a child. After exhausting all possibilities with her baby-phobic boyfriend, Georgina turns to her wildly optimistic friend Clem, with whom she sets out to identify and “land” the perfect father for her child.
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A couple is going through marital troubles made worse when a previously unknown grandson shows up.
“The Hours” is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Daisy is a beautiful no-nonsense employee in an advertising firm. Her female co-workers want to help her find someone, and her male co-workers want to be that someone – but only as a one night stand. She begins to enjoy this attention.
A young man recruits a film student to help him prove the existence of an urban legend.
A close-knit group of friends gather in French Burgundy to finally scatter ashes of their dead friend. When the widow unexpectedly brings her new boyfriend, the weekend takes a turn, and all friendships and relationships are put on edge.
Hipsters beware: there is no irony in Hardwick’s affinity for Captain Picard, Comic-Con and the Atari 2600. Filmed at Skirball Center for Performing Arts in New York City, “Chris Hardwick: Mandroid” features candid comedy tales that cover virginity, chess club, shark vaginas, awkward childhood, awkward adulthood (which in this case is an extension of awkward childhood) and a myriad of other topics which may or may not include Quidditch. From unearthing his old MySpace page to the futility of attempting to delete his Facebook account, Hardwick displays his comical approach to all things trivial in the digital era, all while #hashtagging completely out of context.
