Graced with the instinctive ability to dance, Jenny Thomas wants nothing more than to become a professional dancer. All of her hard work pays off when she is accepted to a prominent dance program in New York. Against her mother’s will, but with the support of her father Jenny leaves her small Mormon town in Utah and heads to New York in pursuit of her dream. Jenny must fight to earn her scholarship and try to find a balance between the man of her faith and the man of her dreams.
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Montreal 1948. On Rosh Hashanah, Chaim (a Yiddish writer) is forced to think of his religion when he’s asked to be the tenth in a minyan. As he sits in the park, he suddenly sees an old friend whom he hasn’t seen since they quarrelled when they were yeshiva students together. Hersh, a rabbi, survived Auschwitz and his faith was strengthened by his ordeal, while Chaim escaped the Nazis, but had lost his faith long before. The two walk together, reminisce, and argue passionately about themselves, their actions, their lives, their religion, their old quarrel, and their friendship.
Eddie Lomax is a drifter who has been in a suicidal funk since the death of his close friend Johnny. Riding his motorcycle into a small desert town where Johnny once lived, Lomax is confronted by a gang of toughs, who beat him and steal his bike. However, Lomax is not a man to take an injustice lying down, and soon he begins exacting a violent revenge on the men who stole his motorcycle, with local handyman Jubal Early lending a hand and several area ladies offering aid and comfort.
Enzo Ceccotti comes into contact with a radioactive substance, then accidently discovers he has superpowers. A touchy, navel-gazing introvert, he’s sure his new capabilities will do wonders for his life of crime, but that all changes when he meets Alessia, who’s convinced he’s the hero from the famous Japanese comic strip, Steel Jeeg Robot.
When Danielle is banished to special education because of her misbehavior, she joins Clarke on a road trip to discover themselves.
When 12-year-old Ton transfers to an all-boys boarding school, he’s taunted by his peers and terrified by their tales about the ghosts that inhabit the school. Ton is utterly miserable until he befriends a mysterious fellow pupil.
Brooklyn teenager Jeffrey Willis, thoroughly unhappy with his modest homestead, embraces the other-world aspects of his summer job at the posh Flamingo Club. He spurns his father in favor of the patronage of smooth-talking Phil Brody and is seduced by the ample bikini charms of club member Carla Samson. But thanks to a couple of late-summer hard lessons, the teen eventually realizes that family should always come first.
Two siblings discover a supernatural escape from a troubled home, but find their bond tested when reality threatens to tear their family apart.
PRIMO was adapted by Antony Sher from Primo Levi’s monumental account of his year spent in Auschwitz, IF THIS IS A MAN. When it opened in September 2004 at the National Theatre PRIMO was instantly recognised as a major theatrical event. A work of astounding dramatic power it sheds a light on one of the darkest episodes in human history. Antony Sher’s towering performance is as controlled as Primo Levi s own lucid prose. Beautifully directed by Richard Wilson and presented in Hildegard Bechtler’s magnificent, symbolist set.
After blacking out on his wedding night, Shane and his wife head to a remote estate for their honeymoon. That night, there’s a knock at the door; a waiter and bartender from the reception, blackmailing Shane for something he can’t remember doing. But the blackmailers don’t just want money. They’re after business partners for their invention, an outlandish device called… The Crumb Catcher.
Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.
