With nothing more than a blazing spirit of philanthropy and his beat-up red wagon, Zach sets out to help homeless children in America. In the process, he sweeps his fractured family – and ultimately the entire country – along with him.
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Rui (Tatsuya Fujiwara) is the charismatic leader of a new religious group. Consequently, he starts to gain attention from the mass media. After becoming involved in a car accident, Rui goes to a remote island with ex-gangster now bodyguard (Ryuhei Matsuda). On the island, Rui reveals more about his religious group, while a set of ominous events are about to occur …
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
A young burnout discovers his estranged father is dead, leaving him the responsibility of managing an apartment complex. With hopes of cutting ties, he’s forced to grow up, learning about the dad he never knew through the eclectic tenants.
Jod is a gangster who has been sent to jail as a result of a military coup that brings a new order to the streets. In the young gangsters’ neighbourhood, uniformed officer Neung rules like a dictator and is a frequent thorn in the side of Jod’s gang. When he emerges from prison, Jod is a changed man with a determination to set things right.
The American architect Kracklite arrives in Italy, supervising an exhibiton for a French architect, Boullée, famous for his oval structures. Tirelessly dedicated to the project, Kracklite’s marriage quickly dissolves along with his health.
After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.
In Havana, Cuba in the late 1950’s, a wealthy family, one of whose sons is a prominent nightclub owner, is caught in the violent transition from the oppressive regime of Batista to the Marxist government of Fidel Castro. Castro’s regime ultimately leads the nightclub owner to flee to New York.
The adventures of 35-year-old Oyin Clegg and her friends Toke and Gloria as they kiss the many frogs in the quest to find their prince. In the process, they are forced to ask important questions about their friendship, love and life ultimately asking – finding hubby or finding happy?
Shui (Stephen Chow) and Ti (Sandra Ng) elope off, against the wishes of Ti’s father (Shing Fui-On). They live the life of a struggling young couple. Shui finds a job at a jewelry importer and his hard work is noticed by the boss lady (Suki Kwan). As Shui moves up the corporate ladder, the chasm between Shui and Ti starts to widen, and the bond between Suki and Shui tightens.
