An intimate and revealing portrait of Kenny Dalglish – the player, the man, the truth.

Uncle Tom II is an odyssey depicting the gradual demoralization of America through Marxist infiltration of its institutions. The film explores how this deceptive ideology has torn apart the fabric of society while using black America as its number one tool for its destruction. From Executive Producer Larry Elder and Director Justin Malone, comes the continuation of their highly acclaimed film, Uncle Tom (2020). Uncle Tom II will take the audience deeper into black America’s often eradicated history of honorable men, entrepreneurship, prosperity, faith, and patriotism, to its current perceived state of anger, discontent and victimhood.

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller’s only child, Samantha.

Documentary revealing the inner workings of the world’s most powerful intelligence organization, with unprecedented access to America’s spy network, all 12 living CIA directors and top agency operatives, who talk candidly about torture, secret prisons, drone warfare, alleged assassinations and the constant threat of attack, which begs the question: how far should America go to keep us safe?

Unraveling the truth behind the deaths of 4 U.S. Special Forces soldiers in Africa leads to evidence of a cover-up at the highest levels of the Army.

With help from park rangers and other experts, a wildlife photographer tracks, catalogues, and protects two Ugandan lion prides.

An inside look at Carson & Barnes, the world’s largest tented circus.

Long before Green Day and Blink 182 inflicted punk-rock’s puncture wound on the map of mainstream music, the Descendents were at home concocting the perfect mix of pop, angst, love, and coffee. FILMAGE: The Story of DESCENDENTS/ALL follows drummer/square-peg Bill Stevenson and his ‘caffeinated retardedness’ as he pushes his rotating door of bandmates to ‘achieve ALL,’ his philosophy of going for greatness at all costs. Stevenson is a force to be reckoned with–not even grapefruit-sized brain tumors can keep him down.

You’ve heard the conspiracy theories and seen the movies. Now find out what really goes on inside one of the world’s most secretive government organizations…The National Security Agency. Since its inception in 1952, the National Security Agency has been shrouded in secrecy; for years the White House denied its very existence. For the first time since 9/11 changed everything, cameras go beyond the closed doors of the NSA, deep inside the agency’s 2.6 million square foot top-secret compound. Inside the NSA: America’s Cyber Secrets reveals the agency’s critical role in protecting the country-from defending the US military from a cyber attack, to the hunt for Osama Bin Laden.

THE PINK HOUSE tells the story of Kalgoorlie’s last original goldrush brothel through the eyes of the colourful Madam Carmel, 70, and her longest-serving lady of the night, BJ. Filmed over several years and with unprecedented access to the inner workings of this unique brothel, THE PINK HOUSE is an intimate portrait of two women bound together by the past and their precarious future. And when darker forces begin to exert pressure, their fragile relationship is tested to its limits.

COMIX is a feature documentary on comic books, the comic book world, and the phenomenon surrounding them. It is told through the thoughts and images of some of the greatest talent in the comic book industry like Stan Lee, Frank Miller, Neal Adams, Mark Waid, Marc Silvestri, and John Romita Jr., among many others. COMIX also has tons of interviews with the fans, many in full costumes, as they share their love for the art form, and who have made comics the phenomenon that it is today.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.