The Shannon is Ireland’s greatest geographical landmark and longest river. It is both a barrier and highway, a silver ribbon holding back the rugged landscapes of the west from the gentler plains to the east. On its journey south, the Shannon passes through a huge palette of rural landscapes, where on little-known backwaters, Ireland’s wild animals and plants still thrive as almost nowhere else. For a year, wildlife cameraman Colin Stafford-Johnson lives on the river, camping on its banks, exploring its countless tributaries in a traditional canoe, following the river from dawn to dusk through the four seasons, on a quest to film the natural history of the Shannon as it has never been seen or heard or experienced before.
You May Also Like
Filmmaker Stephen Hosier takes a journey with Richard Csanyi, his childhood friend, as he investigates the life and death of his twin brother Attila, who was found dead on a rooftop in 2020.
Louis Theroux spends time with a small and very committed subculture of ultra-nationalist Jewish settlers. He discovers a group of people who consider it their religious and political obligation to populate some of the most sensitive areas of the West Bank, especially those with a spiritual significance dating back to the Bible. Throughout his journey, Louis gets close to the people most involved with driving the extreme end of the Jewish settler movement – finding them warm, friendly, humorous, and deeply troubling.
We follow Otto Baxter, a 35-year-old man with Down Syndrome, over six years, as he writes and directs a foul-mouthed, autobiographical comedy-horror-musical set in Victorian London. Otto, who has always struggled to explain how he feels, uses his film The Puppet Asylum to explore his birth, adoption and his epic battle with ‘The Master’ – an evil magician hell-bent on controlling his life. During the filmmaking process Otto’s birth mother dies and he finds himself confronting life in the real world, including his future. Otto’s filmmaker friends Bruce Fletcher and Peter Beard help him to bring his vision to life, but also learn more about his unique perspective on the world and how they can play a role in his future.
An introduction to the work of some of the foremost Black visual artists working today, inspired by the late David Driskell’s landmark 1976 exhibition, “Two Centuries of Black American Art.”
Shark scientist Dr. Michael Heithaus embarks on a mission to reveal the mysterious connection between sharks and volcanoes.
A 32-year-old man leaves his stable life to revive a past dream, embarking on a 10,000-mile journey with a friend to capture diverse stories of everyday Americans, showcasing their shared humanity.
To Rock or Stock? That is the question. Sneakerheads will do almost anything to get their hands on a unique pair of kicks, going to such extreme lengths as hiding in trash cans to score a pair of Retro Jordan 11s to camping for days in sub zero temperatures for the latest Nike Foamposites. How did sneakers become as prized as collectable art? From the shores of Cali to the congested streets of Tokyo, Sneakerheadz examines the cultural influence of sneaker collecting around the world and delves into a subculture whose proud members don’t just want to admire art, they want to wear it.
Filmmaker Tariq Nasheed explores the topics of race, racism, and history within the United States.
We all learned in schools that the WWI began with the assasination of Franz Ferdinand done by a young Bosnian Gavrilo Princip. In fact, the war was brewing much longer.
Moto 3: The Movie is the next chapter in the most progressive motocross/off-road film series of all time. The Assignment Moving Picture Co. spared no expense during the film’s production, and worked with only the biggest and baddest riders on the planet to capture what critics are calling “next level moto cinematography”. Like in the first two Moto The Movie features, The Assignment traveled the globe to search for the source of what pushes our beloveed sport into the future, and the result is a film that will leave you aching to ride!
A journey inside the world of real life caped crusaders. From all over America, these self-proclaimed crime fighters, don masks, homemade costumes and elaborate utility belts in an attempt to bring justice to evildoers everywhere.
Filmmaker Trevor Graham is an Australian ‘hummus tragic’. Every week in his Bondi Beach home he observes the hummus making ritual, mashing chickpeas, lemon juice, garlic and tahina. But when the Hummus War erupted in 2008, among the usual suspects, Israel, Lebanon and Palestine, Graham was hungry for more. But this war ha no soldiers, bullets or tanks. Just chickpeas and hummus. Make Hummus Not War is a humorous homage to the chickpea’s most distinguished dish. But there’s a personal story, how Graham became a hummus tragic, a father who served in Palestine during WW2 and two lovers in his life, one Syrian, one Jewish, with whom he shared a great culinary passion.
