Morir revolves around the couple Luis and Marta, whose lives are paralyzed by the outbreak of a disease that is accompanied by guilt, lies and fear, testing the stability and love between them.
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Jealousy flares after the headmistress of an elite boarding school for girls becomes obsessed with a new student.
In 1825, Claire, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.
Two travelers undertake the construction of a gigantic bridge in order to cross a gulf blocking their way.
Tess (Ruth Kearney – Flaked, The Following, Primeval) is an ambitious lawyer with a bright future. Henry (Dylan Edwards – High-Rise, Wanderlust, Pramface) is a charismatic artist whose career is in decline. Despite their obvious differences, a chance encounter leads to Tess and Henry falling for each other. What follows are periods of joy and romance as we are granted intimate access to the couple’s journey together. Soon the obstacles of life begin to surface and Tess and Henry are forced to endure a wind of change. Realising that love is about compromise and commitment, how far are both willing to go in order to save their relationship?
A soldier, reported dead in the war, returns home 20 years later. Wounded and with a new face and identity, the crippled man discovers that he has a grown son and that his wife has remarried.
When a high school football star is suddenly stricken with irreversible total blindness, he must decide whether to live a safe handicapped life or bravely return to the life he once knew and the sport he still loves.
As the Iranian revolution reaches a boiling point, a CIA ‘exfiltration’ specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador.
In 2002, cable news producer Kim Barker decides to shake up her routine by taking a daring new assignment in Kabul, Afghanistan. Dislodged from her comfortable American lifestyle, Barker finds herself in the middle of an out-of-control war zone. Luckily, she meets Tanya Vanderpoel, a fellow journalist who takes the shell-shocked reporter under her wing. Amid the militants, warlords and nighttime partying, Barker discovers the key to becoming a successful correspondent.
Mary Marshall, serving a six year term for accidental manslaughter, is given a Christmas furlough from prison to visit her closest relatives, her uncle and his family in a small Midwestern town. On the train she meets Zach Morgan, a troubled army sergeant on leave for the holidays from a military hospital. Although his physical wounds have healed, he is suffering from post-traumatic stress disorder and is subject to panic attacks. The pair are attracted to one another and in the warm atmosphere of the Christmas season friendship blossoms into romance, but Mary is reluctant to tell him of her past and that she must shortly return to prison to serve the remainder of her sentence.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.
Three children play games in the wild garden of a country house surrounded by woods. The elder sister says Mummy and Daddy will be home soon as she reads her younger brother and sister frightening fairy tales. But where are their mother and father? Why have such young children been left at home alone?
