The Monkees are tossed about in a psychedelic, surrealist, plotless, circular bit of fun fluff.
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CONTROL ALT DELETE is a moody romantic comedy exploring fetishism, addiction and love in the information age. As our hero Lewis struggles to integrate his public and private persona’s, he realizes he may not be the only one harboring a dirty little secret.
Diego, a hopeless romantic desperately trying to salvage his relationship with long time girlfriend Sofía, plans a beach getaway to propose and clear the air. A casual encounter with Sofía’s old friend Malena will cast doubts on his relationship and skewed understanding of love, quickly turning a perfect weekend in paradise into Diego’s worst nightmare.
In this bloody long-standing feud, two families seek vengeance against each other as they unmercifully attempt to destroy each other’s loved ones.
Wreck-It Ralph is the 9-foot-tall, 643-pound villain of an arcade video game named Fix-It Felix Jr., in which the game’s titular hero fixes buildings that Ralph destroys. Wanting to prove he can be a good guy and not just a villain, Ralph escapes his game and lands in Hero’s Duty, a first-person shooter where he helps the game’s hero battle against alien invaders. He later enters Sugar Rush, a kart racing game set on tracks made of candies, cookies and other sweets. There, Ralph meets Vanellope von Schweetz who has learned that her game is faced with a dire threat that could affect the entire arcade, and one that Ralph may have inadvertently started.
Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also “offed” herself, he sets out on a road trip, with his Russian rocker friend, to find her. Their journey takes them through an absurd purgatory where they discover that being dead doesn’t mean you have to stop livin’!
At the age of just 30, Maanav at the peak of his acting career gets caught up in a murder accusation, which turns his own life into an eccentric action thriller as he flees the country, with a vengeful politician hot on his heels.
Just as Hunny, Choocha, Lali and Zafar are reaping the fruits of their misadventures from one year back; they are pulled up by the dreaded don, Bholil. She is back from prison early and wants to continue from where they left off.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
The Rugrats are back! There’s Tommy the brave one, Chuckie the timid one, Phil and Lil the odd couple, Dil, and spoiled brat Angelica. This time they’re wreaking havoc in Paris, France, where Tommy’s dad Stu is summoned after yet another one of his inventions took a dump.
