A waiter/writer living with his dad and a neat freak who’s just landed a job as a reporter in New York, meet by colliding on the Brooklyn Bridge, and romance ensues.
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They say the cobbler’s children go barefoot, but must the matchmaker’s children go motherless? After their widower father moves to a new town and sets up a computerized matchmaking business, two girls set out to find a stepmother. They create a dating application in the company computer for him. Then they cull through all new women applicants to hand pick the perfect woman for him and force the computer to match them. They don’t know the woman they picked is the proprietor of the old-fashioned matchmaking service in town who is planning to prove the computer matching is incompetent.
Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly – as he preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie. Avoiding the hackneyed theme of the return to the homeland, the film uses the departure to renew a connection between two generation.
Set in the present where a group of ruthless gangsters, an unknown woman and an escaped convict have met, unwittingly, in The Forest of Resurrection, the 444th portal to the other side. Their troubles start when those once killed and buried in the forest come back from the dead, with the assistance of the evil Sprit that has also come back, come back from ages past, to claim his prize. The final standoff between Light and Dark has never been so cunning, so brutal and so deadly. This is where old Japanese Samurai mysticism meets the new world of the gangster and the gun. Gruesome, bloody and positively bold.
Striving to be independent, the blind but determined Don Baker (Edward Albert) moves away from his overprotective mother (Eileen Heckart, who won an Oscar). After settling into his new San Francisco digs, Don meets kooky neighbor Jill Tanner (Goldie Hawn). Don’s quick wit and good looks disarm the free-spirited Jill, and before long they’re more than just friends. Will Mrs. Baker’s incessant meddling destroy Don and Jill’s budding relationship?
A sexy model pretends to have a new boyfriend in a wacky plan to make her ex-lover jealous.
Timon the meerkat and Pumbaa the warthog are best pals and the unsung heroes of the African savanna. This prequel to the smash Disney animated adventure takes you back — way back — before Simba’s adventure began. You’ll find out all about Timon and Pumbaa and tag along as they search for the perfect home and attempt to raise a rambunctious lion cub.
Faking his death to escape the realities of his uneventful life worked out well for Brij Mohan — until he was sentenced to death for his own murder.
A group of Yokohama students fight to save their school’s clubhouse from the wrecking ball during preparations for the 1964 Tokyo Olympic Games. While working there, Umi and Shun gradually attract each other, but face a sudden trial. Even so, they keep going without fleeing the difficulties of reality.
In the midst of the Mariel boat lift — a hurried exodus of refugees from Cuba going to America — an immigration clerk accidentally presumes that dissident Juan Raul Perez and Dorita Evita Perez are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela, whom he hasn’t seen in decades.
The making of a serious, Canadian art house film descends into Hollywood farce when its producer is forced to compromise his vision to accommodate his drug-addled star, his leading lady and his venal backers.
An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.