A 12-year-old girl begins having terrible nightmares, which eventually turn into visions and warnings from her deceased grandmother. Soon, the nightmares become all too real.
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Maja, a Danish actress past her prime, falls in love with Leah, a young Jewish academic from London. Leah suffers a mysterious seizure, and Maja returns with her to London. There, she meets Leah’s mother, an overbearing woman who could hold dark secrets.
Trying to escape her broken past, Sarah O’Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.
During a late night taping of “Dr. Nasty’s Cavalcade of Horror”, bloody chaos takes place during the screening of two features (“Dinner for Monsters” and “Slit”). Samantha/Nurse Nasty is frustrated by how the show is being run by its womanizing director and its drunk and crazy host Dr. Nasty.
When a mysterious “John Doe” wakes up in a morgue and wanders into a psychiatric ward, a devoted doctor and curious medical examiner must slowly uncover dark and sinister secrets about the man that reveal a more horrifying truth than they could have ever imagined.
In a world where immortality is achieved by drinking alcohol, having sex and partying every night, three friends in their hundreds (who don’t look a day over eighteen) try to hold onto their youth in the face of a rapidly changing world.
Inspired by Carmilla, the seminal 19th Century vampire tale by Sheridan LeFanu, STYRIA plunges the viewer into a haunted world of fantasy and obsession. In 1989, Lara Hill (Eleanor Tomlinson), accompanies her art historian father (Stephen Rea) to an abandoned castle across the Iron Curtain. From a car crash outside of the castle, emerges the beautiful and mysterious Carmilla. Lara secrets Carmilla into the castle and the two are drawn into an intoxicating relationship. But when Carmilla mysteriously disappears, and women of the town begin committing suicide, Lara’s psychic wounds erupt into a living nightmare that consumes the entire town of Styria.
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
Richard Steele welcomes the drug trade into his plethora of felony activity. As advocates of community reform urge him to pursue righteous endeavors.