This revue presents its numbers around the orchestra leader Paul Whiteman, besides that it shows in it’s final number that the European popular music are the roots of American popular music, called Jazz.

It is New Year’s weekend and the friends of Peter (Fry) gather at his newly inherited country house. Ten years ago, they all acted together in a Cambridge University student comedy troupe, but it’s less clear how much they have in common now.Peter’s friends are Andrew (Branagh), now a writer in Hollywood; married jingle writers Roger (Laurie) and Mary (Staunton); glamorous costume designer Sarah (Emmanuel); and eccentric Maggie (Thompson), who works in publishing. Cast in sharp relief to the university chums are Carol (Rudner), the American TV star wife of Andrew; and loutish Brian (Slattery), Sarah’s very recently acquired lover. Law plays Peter’s disapproving housekeeper, Vera; and Lowe, her son Paul. Briers appears in a cameo role as Peter’s father.

Jennifer Carpenter, Kristen Connolly and Alexander Poe star in a comedy about three New Yorkers struggling to uncover the truth behind their romantic entanglements. Disheartened by his latest relationship catastrophe, Graham (Poe) attempts to rekindle the spark with his ex-girlfriend, Laura (Connolly). In the attempt to win her back Graham discovers he has a unique problem: Laura and another one his ex-girlfriends (Carpenter) are dating the same guy.

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Jack Goldwater, an IRS agent on loan to the Federal Air Marshal Service, is relieved of field duty after insulting a powerful U.S. Senator, and finds himself exiled to a humiliating desk job in Nevada as the federal receiver managing a legal brothel in tax default, where — with the help of the brothel Madam, Lady Magdalene — he uncovers an Al Qaeda plot to unload a nuclear-bomb-sized crate at Hoover Dam.

Mickey, who happens to be a werewolf and a crime boss, gets all worked up and hairy during a private dance at a strip club. Justice, the dancer, grabs the nearest weapon and lands a fatal blow: her silver fountain pen right through Mickey’s wolfed-out eye. This ignites a small-scale war between Mickey’s group of werewolf mobsters and the sultry strippers of Vixens.

A television news chief courts his anchorwoman ex-wife with an eleventh-hour story.

EVIL BONG 777 leaves off where last year’s EVIL BONG 666 left off. Our scowling weed-spewing Eebee is out of “Sexy Hell” and heading to Sin City with danger on her tail. She’s joined by her whack pack of fabulous freaks: Faux Batty, Rabbit, Misty and The Gingerweed Man. Get ready for a tidal wave of smutty, skunky, surreal insanity as the gang gets into all manner of misadventures. Can Vegas handle this gaggle of ganja-fied weirdos?

Detective Nick Blades is a New Orleans cop on trial for corruption. Assistant District Attorney Theo Gold is the man in charge of putting him behind bars. When these two unlikely partners from opposite sides of the law stumble onto a criminal plot, they’ll need to rely on luck – and patience – to take down a dangerous killer without killing each other first.

Don Vito Leoni, the Godfather, is clinically depressed. The world has changed and he hasn’t. He’d like to retire, but if he left the “family business” to his two idiot sons, they’d be dead in a minute. So he decides to go legit, which convinces everyone that he must be completely off the deep end. To preserve their cushy lives, his dysfuntional family conspires to get him some psycho-therepy. So his boys kidnap a “piasan” shrink and order him to “fix” their father. This film, which premired on Showtime, pre-dated the very similarly plotted “Analyze This” by over a year.

Shot at The Slipper Room NYC, Jena Friedman’s first standup special delivers a probing examination of feminism and the U.S. body politic.

A dog goes on quest to discover his purpose in life over the course of several lifetimes with multiple owners.