In 1942, in Bavaria, Eva Braun is alone, when Adolf Hitler arrives with Dr. Josef Goebbels and his wife Magda Goebbels and Martin Bormann to spend a couple of days without talking politics.
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Homer Macauley remains in a small town looking after his widowed mother and younger brother. Homer’s older brother is fighting the war in Europe.
Vietnamandapos;s first ever vampire movie. In a modern fantasy world, five young women gather to compete for a life-changing opportunity, unaware of a bloodthirsty plan that awaits them.
A young army veteran suffering from PTSD returns home to the Ozarks to look for her estranged brother. She finds an abandoned young boy in the woods. As she searches for answers about who the child is, she discovers a mysterious world of folklore, clan rules and lies, ultimately putting her own life in jeopardy to protect the young boy and find out the truth.
After discovering that her three best friends and her husband are plotting to murder her and steal her family fortune, Gloria, an otherwise kind-hearted housewife and mother of two, unfolds and exacts a deadly revenge on all who betrayed her.
Set to a new wave ’80s soundtrack, a pair of young lovers from different backgrounds defy their parents and friends to stay together.
After a decade of making music together, Jim and Sam, a recently married singer/songwriter duo from Los Angeles, were not the conventionally successful band they hoped they’d be. Feeling stuck and anxious about their future, the duo made a spontaneous decision to go “all in,” making a pact to play one show every day for a year. With suitcases and a guitar, the troubadours ventured out for a 365-day tour down unexplored roads, and onto unexpected stages, bringing their music to new audiences throughout 14 different countries. After So Many Days, is an intimate front row seat to the highs and lows of what it’s like for two people to pursue a dream, together.
Kanneganti Gopala Rao is an atheist who owns a shop that sells Hindu idols and is survived by his wife Meenakshi and son Moksha apart from his in-laws and assistant Otthu. Once, he obstructs a holy ritual involving his family along with others conducted by Siddheswar Maharaj, a fake godman. A sudden earthquake causes a huge devastation and his shop gets completely demolished. Rao approaches his insurance company who turn him down terming it as an act of God. Left with no choice, Rao decides to sue God in turn and after failing to find a lawyer for such a lawsuit, he meets Akbar Bhai, a disabled lawyer who helps him file the case as Rao decides to fight on his own. Legal notices are sent to the insurance company as well as to religious priests, Siddheshwar, Gopika Matha and their group’s founder, Leeladhara Swamy summoning them to the court as representatives of God on earth.
Nineteen-year-old Ari confronts both his sexuality and his Greek family. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he’s facing problems with his traditional Greek parents, who have no clue about his sexual activities.
An upper middle class married couple find their lives spiraling out of control when they decide to take justice into their own hands and seek retribution against their neighbor.
This is the story of the night Matt and Dave met Amy and Syd. All feeling a bit fed up with their jobs and Los Angeles, luck would have it that they decide to go to the same bar on the same night. Thankful to meet anyone who isn’t painfully self absorbed, the drinks pile up as the four twenty-somethings find unexpected friendships, and maybe something more
A deranged serial killer known as “Clownface” terrorises the residents of a small town.
Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.