Following some of the world’s top snowboarders and skiers on the hunt for their next thrill, Warren Miller’s film travels from Alaska to Switzerland to shoot world-class athletes taking on nature’s riskiest challenges. With jaw-dropping action from the likes of World Cup champ Jeremy Bloom, big-mountain skiers Jeremy Nobis and Seth Morrison, and ski-base jumping innovator Shane McConkey, Miller captures a wealth of unimaginable moments.

Documentary about the modern apocalypse caused by a rapacious banking system. 23 leading thinkers – frustrated at the failure of their respective disciplines – break their silence to explain how the world really works.

In America, everyone has a family story of immigration. Every family, at some point, has had somebody leave their native country behind to search for a better life. How did they hold onto their identity? How did they adapt to their new life? Every family has a special story. In my case, it’s my Chinese-American story. My father would always tell us his story about walking for 7 days and 6 nights, before swimming for 4 hours to Macau to escape communism in 1966. His story would fall on my deaf ears until I returned to China with him.

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Supreme Master Ron D. White, 10th Dan, shares his life story.

A new documentary that showcases the making of the epic limited series. Features never-before-seen, behind-the-scenes footage, interviews and visits to the creature shop and props department.

From Adolphe Sax’s workshop to the legendary times of jazz and bebop, conquering the classical music stages, forbidden by Nazis and Communists and banned by the Pope: in its 170-year history the saxophone has always been the most seductive as well as the most feared musical instrument. Award-winning Canadian filmmaker Larry Weinstein illuminates and mythologizes the story of the saxophone, its most legendary players and its allegedly longstanding curse about saxophonists falling prey to the instrument’s dark powers.

Follows the story of the so-called Liberty City Seven, a group of young Black men accused of assisting Al Qaeda in a plot to blow up buildings within the USA.

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The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

A searing portrait of four prisoners trying to escape the devastation of their past.

In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.