The story, set in the heady post-war 50s into the early 60s , revolves around a love triangle between Tomoko, long playing the mistress to married older writer Shitto (Kaoru Kobayashi) and the new stud who comes into her life, Ryota Kinoshita (Gou Ayano). Tomoko (Hikari Mitsushima) is sick and tired of her relationship with writer Shingo, who is married and has children. Shingo is a talented writer, but has yet to be recognized by the public. Tomoko then enters into a sexual relationship with younger man Ryota Kinoshita, but Tomoko is not satisfied.
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Plagued with grief over the murder of her daughter, Valerie Somers suspects that her husband John is cheating on her. When Valerie disappears, Detective Leon Zat attempts to solve the mystery of her absence. A complex web of love, sex and deceit emerges — drawing in four related couples whose various partners are distrustful and suspicious about each other’s involvement.
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
Marcin Krysztalowicz’s film is both a partisan ballad, showing the real face of German occupation of Poland during WW2 and a startling war thriller. It tells a story of corporal “Wydra”, struggling not only with Germans and Polish traitors but also with his own past…
Director Mario Van Peebles chronicles the complicated production of his father Melvin’s classic 1971 film, “Sweet Sweetback’s Baadasssss Song.” Playing his father in the film, Van Peebles offers an unapologetic account of Melvin’s brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.
Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a patient named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten.
The non-fiction author Walter falls for the physics student Agnes. He is fascinated by her extreme attitude towards life and her reserved appearance, which is quite the opposite of his quiet and regular life. When Agnes encourages him to follow his passion for writing fiction, he starts to work on a book, a portrait of how he sees her.
When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.
Alex Truelove is on a quest to lose his virginity, an event eagerly awaited by his patient girlfriend and cheered on with welcome advice by his rowdy friends. But Alex, a super gregarious dude, is oddly unmotivated. A magical house party throws Alex into the presence of Elliot, a hunky college guy, who pegs Alex as gay and flirts hard. Alex is taken aback but after a series of setbacks on the girlfriend front he takes the plunge and learns some interesting new facts about himself.
When a law school dropout answers an advertisement to be a personal assistant he unknowingly signs on to work for a belligerent has-been magician struggling to resurrect his career. This leads to a journey across the country staging the comeback of a lifetime.
When millionaire businessman Ted Billings (Glenn Morshower) double-crosses his partners in a weapons deal, he decides to hire some protection. Billings enlists Eugene “Vash” Vasher (Lou Diamond Phillips) a mercenary-for-hire and soon, Vash is fighting off assaults on his boss from all sides, but on top of that, he doesn’t even like Billings who has a hidden agenda. Among the shoot-outs and chases, Vash forms a bond with Emily (Yancy Butler) Billings’ chief-of-security and Vash’s former flame who’s not all that she appears to be.
