This is a story of Ida and Krister. It’s about a relationship that goes to hell. They are both crazy in love but manage to strangle the supply of oxygen and adapt to each other in a way that will lead to catastrophic consequences.
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Love is the Word is a moving, romantic and funny coming-of-age drama about the magic of first love and the misery of first lost, set in 1978: the year ‘Grease’ hit the big screen.
Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland’s old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.
Various lives converge on an isolated island, all connected by an author whose novel has become inextricably entwined with his own life.
Ex-championship diver Victoras whiles away his days on the Greek coast, toiling away at a factory with only his dreams, medals and grandmother for company. When a phone call summons him to Germany, a simple road trip is the answer – that is until he crosses paths with the handsome Mathias – a free-spirited hitchhiker who tempts Victoras to take the road not taken.
A young gambler makes a large, risky bet on a horse race. When the odds turn in his favour, more than one party has sudden interest in the winning betting slip, and they’ll do anything to get their hands on it.
In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement (“unrueh”) of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.
