Guillermo (Raúl Mérida) is a passionate young college surf casually discovering an old photographic film. In the photographs are enigmatic images and a familiar face, leading Guillermo to embark on a perilous investigation with the help of Daniela, a student from Fine Arts, and his brother, a computer expert. None of them is aware that such research can change their lives forever.
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Busy navigating his final year of high school, brainy aspiring teacher Tom is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine, who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy. But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.
Ugo Conti, charismatic Italian aristocrat and influencer, arrives in Mexico where he seduces the Mexican high society. When he meets Frida Becker again, the love of his past, he will end up in the center of a struggle for political power.
Acclaimed writer and historian Deborah E. Lipstadt must battle for historical truth to prove the Holocaust actually occurred when David Irving, a renowned denier, sues her for libel.
When three very different people (Mike Baldwin, Will Haza, Ali Lukowski) from three completely different worlds begin a deadly game of Russian Roulette, they soon discover that their pasts are a trilogy of overlapping events that have brought them together for one last session of group therapy.
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can’t expand because Capestro, the man who owns the land next to the cemetery, won’t sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello’s future.
As the youngest of the family, Sam is haunted by the notion that someday he could become the last remaining survivor, all alone. On a family vacation at the beach, he meets the unconventional Tess, who carries her own secrets around with her and shows him how the present moment can win out over memories and anxiety about what’s yet to come.
Inspired by true-life events, this is the sobering story of the Williams family and their process of coping with an adopted child suffering from Reactive Attachment Disorder.
