Following a virus that took the lives of most of the population, John and Micheal have spent their days trying to survive and make sense of their new world. But when they meet the mysterious Karina, who has knowledge of the outside world, their friendship and everything they once knew about the virus and each other will be tested.
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Deals with the vivid everyday life horrors that can be easily encountered in familiar places around subjects like noise between floors, secondhand furniture, mannequins, and social media.
Claudia Moratti, a romantic writer travels to the ends of South America looking for the house of her recently deceased boyfriend. As she enters this southern world she finds herself involved in the investigation of a local policeman that points to her boyfriend, a horror writer himself, as the responsible of seven cases of disappeared women in the area. The violent history of the town and the dark memories of the military dictatorship come to surface as the characters involved reveal their true intentions.
John has inherited a castle in Italy and he moves there with his wife Susan and their blind daughter Rebecca. What they don’t realize is that there is somebody else in the castle–an abused child left to die in the basement who has now become the castle freak and is out to wreak havoc.
A group of young and wild motocross racers venture through the desert and are stranded at an old mining ranch. They soon realize that they are being watched by a group of savage cannibals unknown to the civilized world. The film is full of flashbacks to the original film; even the dog has a flashback.
An intense new marijuana strain named “Black Forest” is taking Los Angeles by storm, and Gretel’s stoner boyfriend can’t get enough. But when the old woman growing the popular drug (Lara Flynn Boyle) turns out to be an evil witch, cooking and eating her wasted patrons for their youth, Gretel and her brother Hansel must save him from a gruesome death — or face the last high of their lives.
A group of people find themselves trapped in the backwoods of West Virginia, fighting for their lives against a group of vicious and horribly disfigured inbred cannibals.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
In an effort to do something different, four friends head into Australia’s outback to explore Charlie’s Farm, the site where a violent family met their end at the hands of an angry mob. Despite all warnings, they persist in their horror-seeking adventure.
When her husband’s sex game goes wrong, Jessie (who is handcuffed to a bed in a remote lake house) faces warped visions, dark secrets and a dire choice.
When struggling young actress Clara Edwards sneaks into an elusive, exclusive Murder Mystery Party, she finds herself among a bevy of beautiful, famous Hollywood elite who are suddenly trapped inside, and have been pit in a game of wits where the murder itself turns out to be all too real.
Based on the story of Elisabeth Bathory, the 18th century Countess who indulged herself in an orgy of murder and vampirism before before being walled up in her room by the authorities. The ageing Countess Dracula discovers that the blood of young virgins has a restorative effect on her celebrated beauty. Years later, she becomes engaged to a handsome young Hussar and is forced to repeat vile atrocities with ever-increasing regularity to hold off old age.
