It is the year 2031, as the spores of the Flower of Life spread over the remains of the SDF-1 and SDF-2, the Invid land out of Hyperspace, on a head-on collision with the Earth. They crash on the spot, quickly turning it into their massive hive, later to be called Reflex Point. In a matter of moments, the Invid take control of the devastated planet.
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Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really fighting over their father’s care, or over his $10 million estate? Meanwhile, Werner must contend with his nutty supervisor, who insists that he only care for patients with full insurance. Can Werner sidestep the hospital’s legal team and do what’s best for the patient?
Many years after a catastrophic event has decimated society, humanity is on the verge of extinction. The last few people continue on in search of life, struggling to survive as they confront their mortality and purpose in this dying world.
Faced with the insistence of his brother Joseph, whom he has not seen for 25 years, Paolo resolves to give up his calm and harmonious life in Canada, to return to Marseilles at the bedside of his rugged father. He left, therefore, with his son under his arm, determined not to linger in that city which he had fled years before, after a tragedy. He does not imagine that the affection of his newfound family, his love affair with a young woman and the joyful and simple solidarity of the Marseillais will reconcile him with this city he would never have wanted to leave…Marseillle.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu’s charms inevitably lead to tragedy, the downward spiral encompasses them all.
Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ’s image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive “civilizing” brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.
The film spans from Hepburn’s early childhood to the 1950s which details her life as a Dutch ballerina, coming to grips with her parents’ divorce, and enduring life in the Nazi-occupied Netherlands during World War II. She then settles in the U.S. where she succeeds in making it big as a movie actress, in such movies as Breakfast at Tiffany’s.
Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship’s captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.
Lee is a world-weary American woman who arrives in an Italian city. Her tangles with hotel staff, incessant smoking and her disregard of the persistently ringing telephone hint at her volatility brewing beneath the surface. Between fitful naps, she wanders the streets, snapping pictures of refugees as if her camera were both weapon and olive branch. Struggling to confront her demons, Lee resolves to help a beautiful young woman in need.
When Henry is invited as a guest speaker at a luxury resort spa, he quickly finds himself at the center of another murder. With Maggie at his side, our favorite duo must not only find the killer but be careful they don’t become his latest victim.
Serving her country is an honour for Judith (GiGi Erneta: Friday NIght Lights, Vernonica Mars), an army nurse whose Vietnam veteran father (William Devane: Knots Landing, 24) taught her the importance of sacrifice. After a tour in Iraq, she returns home and combats severe post-traumatic stress in the form of nightmares. She and her father share a loving bond strengthened by military camaraderie. Envious of their relationship, her brothers (led by John Schneider: The Dukes of Hazzard) shockingly rebuff her… a snub that intensifies when their father dies suddenly. Faced with the task of healing her family and mind, she relies on her faith to fight the battle. But she also battles post traumatic stress initiated by a P.O.W. experience when she fought for her life and the salvation of a fellow American solider while in captivity. When a secret is revealed, the brothers must find a way to humble themselves and make amends.
